Some are performed as part of the plot and others are heard in rehearsal and benefit performance scenes. • "Thank Your Lucky Stars", sung by
Dinah Shore on Eddie Cantor's radio show. • "
My Mama Done Tol' Me" (better known as "Blues in the Night"), sung by
John Garfield on Cantor's radio show. • "
Now's the Time to Fall in Love", sung by Cantor on his radio show. • "Hotcha Cornia", a hot and wild version of
"Otchi Chernye" ("Dark Eyes"), performed by
Spike Jones & His City Slickers for their fellow residents in Gower Gulch. • "Ridin' for a Fall", sung by
Dennis Morgan and
Joan Leslie (dubbed by
Sally Sweetland), with Spike Jones and his band. • "We're Staying Home Tonight...Doing the Patriotic Thing", sung by
Eddie Cantor to a captive audience of his household staff and the hapless producers of the benefit. • "I'm Goin' North", sung by
Jack Carson and
Alan Hale Sr. as old-time vaudevillians meeting in a train station; both are bucking the trend toward all things Southern. After several costume changes, they end up in a blizzard, dripping with icicles. • "Love Isn't Born, It's Made", sung by
Ann Sheridan with
Joyce Reynolds and a chorus of girls in a sorority bedroom. • "No You, No Me", sung by Dennis Morgan and Joan Leslie (dubbed by Sally Sweetland) from a tableside
jukebox in a café. • "The Dreamer", sung by Dinah Shore as a farm girl singing to her love; she wants to dream "until you're home once more." • "Ice Cold Katie... Won't You Marry the Soldier?", a big production number performed on a Harlem set by
Hattie McDaniel,
Willie Best,
Jess Lee Brooks and—portraying the song's titular bride-to-be—dancer
Rita Christian, plus a chorus of singers and dancers. • "How Sweet You Are", sung by Dinah Shore with a large chorus of waltzing couples saying farewell as the men go off to war—in
1861. • "That's What You Jolly Well Get", sung and danced to by
Errol Flynn as a mustachioed
Cockney seaman boasting to a pub full of cronies about his battles with the Nazis over the past four years. • "They're Either Too Young or Too Old", sung by
Bette Davis in a nightclub set populated by men whose appearances fit the song. A brief and strenuous
jitterbug performance by Davis and real-life dance contest winner Conrad Wiedell sends her out to her car. At the end of the number, she replaces the last phrase by blowing a kiss to the audience. The song was written by
Frank Loesser and
Arthur Schwartz. • Esperanza Dominquez, daughter of
Maximiliano Hernandez Martinez who was
President of El Salvador at that time. • Iris Flores, the great-granddaughter of the former
President of Costa Rica, the late
Rafael Yglesias Castro and the great-great-granddaughter of
José María Castro Madriz. • Maruca Sacasa, daughter of
Dr. Juan B. Sacasa who was the former
President of Nicaragua and the former ambassador from that country to the United States. • The finale medley of "Cavalcade of Stars", on a celestial set, with brief reprises or revisions of: • "We're Staying Home Tonight" (Cantor as Joe Simpson pretending to be Cantor) • "How Sweet You Are" (Chorus girls on clouds) • "We're Way Up North..." (Carson and Hale Sr., in a star) • "The Dreamer" (Shore, on stage, dreamily; de Havilland, Lupino and Tobias in a star) • "Ridin' for a Fall" (Morgan and Leslie) • "Love Isn't Born (It's Made)" (Sheridan, in a star) • "That's What You Jolly Well Get", as opera. Flynn, without his mustache, interrupts to comment "That voice is so divine, I wish that voice were mine!" and resumes singing in his star. • "Good Night, Good Neighbor" (Morgan), while Smith and her partners dance on a cloud in the background. • "They're Either Too Young or Too Old" (Davis, in a star) • "Ice Cold Katie" (McDaniel, enthroned on a crescent moon and Cantor, rowing by on a cloud) • "Thank Your Lucky Stars" (ensemble) • The penultimate shots in the film show Sakall, who is conducting the orchestra, driven to distraction by imagining Cantor playing every instrument in the orchestra. ==Production==