The album contains elements of
garage rock and
R&B, and its overall mood is described as "skewed". The tracks are described as exhibiting a "dark, eerie quality." The vocals of Roky Erickson have been likened to "
banshee wailing," and have been described as sounding like "yelp[ing] and [howling] like a man possessed." According to Stephen M. Deusner of
Pitchfork, "Erickson's wild-man vocals create an atmosphere where unfettered mayhem reigns." Tommy Hall's amplified
jug sounds are described as "alien." Deusner said that Hall "provided the psychedelic sound that evokes the chemical weightlessness of a trip. It's the wiggedly-wiggedly of a
dream sequence, the sound of your hands melting or of a dimensional door squeaking open [...] [translated] into an aural sensation." Mark Deming of
AllMusic said: "while the sensuous twists of the melodies and the charming psychobabble of the lyrics make it sound like these folks were indulging in something stronger than
Pearl Beer, at this point the Elevators sounded like a smarter-than-average
folk-rock band with a truly uncommon level of intensity." Music historian
Jeff Gold said the album is "roaring, intense [and] at times frightening," adding that it "does come close to conjuring the rollercoaster run of emotions of the
drug trip." He described the tracks "Fire Engine" and "Reverberation" as "ominous", and the track "Splash 1" as "almost delicate".
Pitchfork wrote: "Erickson's psychedelia was not passive aural wallpapers-- all pretty shapes and colors to listen to while tripping-- but an active force of social, musical, and psychological change." The album's lyrics have been described as "spaced out," and Stephen M. Deusner of
Pitchfork said the album's lyrics were "awash in narcotic
philosophy."'''' The lyrics to the song "Splash 1 (Now I'm Home)" reflect a mystical connection between Erickson and a woman, inspired by a meeting with
Janis Joplin. ==Release==