The 2nd Law

The 2nd Law was primarily recorded at AIR Studios in London, England and EastWest Studios in Los Angeles, California, with additional recording taking place at Shangri La Studios in Malibu, California and Capitol Studios in Hollywood. In an interview with Billboard on 18 October 2011, the band's manager Anthony Addis revealed that Muse had begun recording their sixth album in London and that he expected it to be released by October 2012. Muse bassist Chris Wolstenholme had stated in an interview with BBC Radio 1 that they had aimed to begin recording The 2nd Law in either September or October 2011. During the recording of the album, band frontman Matt Bellamy jokingly described the album as a "Christian gangsta rap jazz odyssey, with some ambient rebellious dubstep and face-melting metal flamenco cowboy psychedelia" on his Twitter account. In an interview with Kerrang! on 14 December 2011, Wolstenholme stated that the next Muse album would be "something radically different" from their prior releases. In another interview Chris mentioned that the band had experimented with music and sounds in particular. It was revealed via Muse's publicist Tom Kirk on his Twitter account that composer David Campbell was helping the band compose the album. In an interview in the April 2012 issue of NME, Bellamy said that the band were set to include elements of electronic music, with influences coming from acts such as French house duo Justice and UK dance-punk group Does It Offend You, Yeah?. ==Composition==

The 2nd Law has been described by The Arts Desk as a concept album with main themes of "chaos, control, societal collapse and totalitarianism". The iTunes review of the album similarly described it as a concept album telling the story of "a resource-strapped planet that can no longer support its inhabitants". alternative rock, progressive rock, The album's first track, "Supremacy", has been compared to James Bond theme songs. "Madness", according to NME, features influences which draw from Queen's "I Want to Break Free" and David Bowie's Scary Monsters album. Instead of using a bass guitar for the song, Wolstenholme opted to use a Misa Kitara, a digital MIDI controller, to create the song's main bass riff. and features collaborations from people who had worked on Stevie Wonder's "Superstition". It also includes explicit lyrics, making The 2nd Law Muse's first album to feature the Parental Advisory label. Bellamy stated that dubstep producer Skrillex was an influence when writing one of the final two tracks on the album – "The 2nd Law: Unsustainable". He also stated that the song "Follow Me" was written about his newborn son, Bingham Bellamy. The song was produced by electronic music trio Nero. Bellamy revealed that during the recording of The 2nd Law he was reading the novel World War Z, which became a major influence on the album, especially the tracks "The 2nd Law: Isolated System" and "Survival". "The 2nd Law: Isolated System" was featured in the film adaptation of the novel. ==Packaging==

The name "The 2nd Law" references the second law of thermodynamics, which is quoted in the track "Unsustainable" as follows: All natural and technological processes proceed in such a way that the availability of the remaining energy decreases. In all energy exchanges, if no energy enters or leaves an isolated system, the entropy of that system increases. Energy continuously flows from being concentrated, to becoming dispersed, spread out, wasted, and useless. New energy cannot be created and high-grade energy are being destroyed. An economy based on endless growth is unsustainable. The album's cover art, taken from the Human Connectome Project, represents the map of the human brain's pathways, "tracking the circuits in our heads and how we process information with bright, neon colors." The artwork was subsequently used by Muse in a social Connectome Project on 21 September 2012. As more fans joined the online project, the album art was built, representing the network of the neurons within the brain. As the album art branched and more fans joined the network, incremental segments of the album track "The 2nd Law: Isolated System" were released. The album was released as a digital download, CD, CD+DVD (with The Making of The 2nd Law and bonus feature), and vinyl. A deluxe edition box set of The 2nd Law included a CD, DVD, double vinyl and three posters. ==Promotion==

On 6 June 2012, Muse released a trailer for The 2nd Law with a countdown on the band's website suggesting a 17 September release date. The trailer, which included dubstep elements, was met with mixed reactions from fans. "Survival" was released as the album's first single on 27 June 2012 and premiered on BBC Radio 1's Zane Lowe show, along with the song's counterpart intro, "Prelude". The song served as the official song of the London 2012 Olympic Games and peaked at number 22 on the UK Singles Chart. It was revealed by the band in an interview with NME magazine that "Madness" would be released as the second single. Released on 20 August, it was announced that the song would make its world premiere on BBC Radio 1 at 19:30 BST, but the track was leaked online beforehand, due to an unintentional early release in South Korea. The official music video for the song was uploaded on 5 September to the band's YouTube channel. The song had significant chart performance by peaking in the top 40 in several countries. It has peaked at number 25 in the UK, The song was also notable for topping the Billboard Alternative Songs chart for a cumulative amount of nineteen weeks, making it the longest-running number-one song on the chart. The previous record was eighteen weeks, held by the Foo Fighters with their song "The Pretender". The song has been certified platinum by the FIMI in Italy and the MC in Canada. The song has also been certified double-platinum by the RIAA in the US for 2,000,000 copies of the song sold. "Follow Me" was revealed as the third single when several promo CD's allegedly sent to radio stations appeared on eBay. The official lyric video was released on 1 November and the official music video was released on 11 December, both on the band's official YouTube channel. The song failed to chart in the UK, but it ended up charting in Belgium, France, Italy, and Japan. "Supremacy" was released as the fourth single from the album on 25 February 2013. The song gained popularity when it was performed at the beginning of the 2013 Brit Awards. Due to this performance, the song charted and peaked at number 58 on the UK singles chart. "Panic Station" was released as the fifth single on 31 May 2013, accompanied by a music video shot during the Japanese dates of The 2nd Law Tour. The music video was released on 22 April 2013 at 10:00 AM PDT on the official Muse YouTube channel. An interactive lyric video for the song was released, as well. The band had previously performed this track, as well as "Madness", on the 6 October 2012 episode of Saturday Night Live. The song failed to chart in the UK, but it peaked at number two on the Billboard Alternative Songs chart. Furthermore, "Big Freeze" was released in April 2013, but only for French radios and without a commercial release. Tour On 7 June 2012, Muse announced a European Arena tour; the first leg of the 2nd Law World Tour. The leg included dates in France, Italy, Ireland, Spain, Finland and the United Kingdom as well as other countries. They had also added North American dates to the tour. Furthermore, the tour has an official live release on CD/DVD/Blu-ray: Live at Rome Olympic Stadium, which was filmed on 6 July 2013 at the Stadio Olimpico in Rome, in front of a crowd of 60,963 people. A show in Tokyo described by drummer Dom as 'the funniest ever' was also filmed. However, a release date for this recording has yet to be confirmed, with only one song from the concert being released as a Muse website members 'Christmas present.' At the conclusion of 2013, the tour was placed on Pollstar's annual "Year End Top 20 Worldwide Tours", and appeared 13th worldwide, earning over $103 million with 79 shows in 2013. ==Reception==

Critical The 2nd Law received generally positive reviews upon release. On Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 70 based on 30 reviews, indicating "generally favorable reviews". The Telegraphs Helen Brown rated the album four out of five stars, noting the album's eclectic influences and reserving praise for "Madness" in particular. AllMusic rated the album three out of five stars, noting "their excursions into dubstep and dance music on tracks like "Madness" and "Follow Me" feel more like remixes than original songs. Songs like these definitely have the spine of Muse tracks, but the production that's built up around them feels almost alien." The album listed at number 46 on Rolling Stones list of the top 50 albums of 2012, saying "In an era of diminished expectations, Muse make stadium-crushing songs that mix the legacies of Queen, King Crimson, Led Zeppelin and Radiohead while making almost every other current band seem tiny." Commercial The 2nd Law had a very positive commercial performance, selling around 475,000 copies worldwide on its release. It debuted at number 2 on the Billboard 200 with 102,000 copies sold in its first week, giving Muse the highest charting debut of their career in the US, although it sold fewer copies than the debut of their previous album The Resistance, which debuted at number three with 128,000 copies. It has sold 485,000 copies in the US . It also debuted at number 2 in Australia, Germany, Ireland, Korea and Spain. The album gave Muse their fourth number 1 debut in the UK with first week sales of 108,536 copies, while also debuting at number 1 in 13 other countries. It has sold 255,000 copies in the UK in 2012 alone. ==Track listing==

All songs written and sung by Matthew Bellamy, except "Save Me" and "Liquid State" written and sung by Chris Wolstenholme. ==Personnel==

Personnel adapted from album liner notes. Muse • Matthew Bellamy – vocals, guitars, keyboards, synthesisers, orchestral arrangements, production, additional mixing (track 6) • Dominic Howard – drums, percussion, synthesisers, production • Chris Wolstenholme – bass, vocals, synthesisers, additional drums (track 1), production Additional musicians • David Campbell – conductor and additional orchestral arrangements • Alyssa Park – first violinist • Gerardo Hilera, Josefin Vergara, Kevin Connolly, Mario Deleon, Michele Richards, Ruth Bruegger, Sara Parkins, Sara Thornblade, Serena McKinny, Songa Lee, Tamara Hatwan – violins • Andrew Duckles – principal viola • Alma Fernandez, David Walther, Matthew Funes – violas • Steve Richards – principal cello • Erika Duke-Kirkpatrick, George Kim Scholes, Suzie Katayama – cellos • Dave Stone, Oscar Hidalgo – basses • Rodrigo D'Erasmo – additional violin (tracks 4, 8) • Daniela Savoldi – additional cello (tracks 4, 8) • Wayne Bergeron – trumpet solo (1) • Joseph Meyer, Nathan Campbell – French horns • Alan Kaplan, Charles Morillas, Craig Gosnell, Nick Lane – trombones • Charles Findlay, Steven Madaio – trumpets (track 3) • Tom Saviano – tenor saxophone • Donald Markese – baritone saxophone • Katie Razzall – spoken words (tracks 12–13) • Tom Kirk – additional chanting (track 5) • Bingham Bellamy – Additional sound effects (track 6) • Aaron Page, Antonio Sol, Baraka Williams, Beth Anderson, Bobbi Page, Christian Ebner, Chyla Anderson, Clydene Jackson, Edie Lehmann Boddicker, Francesca Proponis, Gabriel Mann, Gerald White, Gregory Jasperse, Gregory Whipple, Guy Maeda, Joanna Bushnell, John Kimberling, Karen Harper, Karen Whipple Schnurr, Kathryn Reid, Kimberley Lingo Hinze, Michael Geiger, Oren Waters, Raven Kane, Reid Bruton, Robert Joyce, Scottie Haskell, Susie Stevens Logan, Teri Koide, Walter Harrah – choir Production • Tommaso Colliva – additional production, engineering, mixing (track 4), additional mixing (track 6) • Adrian Bushby – additional production, engineering • Paul Reeve – additional vocal production (tracks 10 & 11) • Nero – additional production and mixing (track 6) • Chris Lord-Alge – mixing (tracks 1, 5, 7, 9 & 12) • Mark "Spike" Stent – mixing (tracks 2, 8, & 10) • Rich Costey – mixing (tracks 3, 11 & 13) • Alessandro Cortini – additional synthesiser engineering • Brendan Dekora – engineering assistance • Olga Fitzroy – engineering assistance • Sean Oakley – engineering assistance • Tom Bailey – engineering assistance • Ted Jensen – mastering Additional personnel • Gavin Bond – photography • The Human Connectome Project – cover art ==Charts==

Weekly charts Year-end charts ==Certifications==

Notes References ==External links==