Maryanne Dell wrote in
The Orange County Register that the book "is a breeze, a visual delight that brings back childhood afternoons in front of the tube." She also mentioned how the book chronicled the "history of the genre with enough details about how these things work to satisfy anyone with a modicum of interest in the subject." Overall, she stated that the book is "worth the price of admission for the visuals, and a gem of a show." Sandra Crockett of
The Baltimore Sun called the book an "animated feast". She was impressed with the illustrations in the book, complimenting the "animation cels whose colors practically leap off the page". She lauded "Ted Turner and his minions" for their appreciation and preservation of the films. In his autobiography
Chuck Amuck, Jones singled out ''What's Opera, Doc?'' "for sheer production quality, magnificent music and wonderful animation, this is probably our (unit's) most elaborate and satisfying production." A mixture of the book's selections and its runners-up were featured on
Cartoon Network on March 14, 1998, as part of "The 50 Greatest Cartoons of All Time" marathon. The reason for this is because the network only aired cartoons owned by
Warner Bros., public domain cartoons like
Gertie the Dinosaur, and those licensed to the network at the time (such as
The Big Snit and
Bambi Meets Godzilla). The marathon also included interviews with animators such as
Chuck Jones and
Joseph Barbera, as well as historian
Leonard Maltin and voice actors
Charlie Adler and
June Foray. A similar marathon aired the following year. ==See also==