In September 1924, as part of pre-production planning, director Giblyn traveled with his assistant director Bert Siebel and producer Estabrook to the region around
Niagara, New York. There they scouted for the most suitable locations for the script's dramatic outdoor scenes once filming commenced. In addition to choosing sites at
Niagara Falls, they also chose locations at nearby
Three Sisters Islands and at
Ausable Chasm much farther away in the
Adirondack Mountains. By mid-October the New York-based trade paper
The Film Daily was reporting to its readers that Metropolitan Casting, on behalf of Estabrook Productions, had officially contracted or "engaged" Herbert Rawlinson, Earle Williams, and Clara Bow to costar in the upcoming motion picture. The paper in the same issue also announced that some of the project's "players" had already left California and were en route by train to New York City. Within days of her arrival in
Manhattan, on October 20, Bow and her fellow cast members began filming the script's interior scenes at the facilities of Tec-Art Studios, which were located on 44th Street and at 318 East 48th Street. News updates on the film's progress in the final quarter of 1924 document that production work at Tec-Art and location shooting at Niagara Falls were completed in just three weeks, between the last week in October and mid-November. The company's filming at Niagara drew many curious spectators from the surrounding community and resulted in the near fatality of a
stunt performer. In its November 29 issue the trade weekly
Moving Picture World describes that location work: Immediately after completing her location work at Niagara, Bow boarded a train in
Buffalo, New York to return to California.
The Film Daily reports on November 13 that Bow had completed her work on
The Adventurous Sex and was already traveling back to Hollywood to work on another production,
Capital Punishment, for
B. P. Schulberg. Several days later, other cast and crew from California began their cross-country returns as well, including Herbert Rawlinson, who arrived in Los Angeles by November 30. featuring the animated silhouette of Rodney rescuing Patricia from a "watery grave". Studio editors also
superimposed images of Bow's face onto the water's surface near the falls' edge. In its pre-release promotion of the film in April 1925, the
Exhibitors Trade Review highlights a frame from those "thrilling" scenes and describes it as "a fine example" of the film's "unusual photography". ==Release==