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Great American Novel

The "Great American Novel" is the term for a canonical novel that generally embodies and examines the essence and character of the United States. The term was coined by John William De Forest in an 1868 essay and later shortened to GAN. De Forest noted that the Great American Novel had most likely not been written yet.

History
Background and origin of the term {{multiple image The development of American literature coincided with the nation's development, especially of its identity. Calls for an "autonomous national literature" first appeared during the American Revolution, and, by the mid-19th century, the possibility of American literature exceeding its European counterparts began to take shape, as did that of the Great American Novel, this time being the genesis of novels that would later be considered the Great American Novel. The term "Great American Novel" originated in an 1868 essay by American Civil War novelist John William De Forest. De Forest saw it serving as a "tableau" of American society, and said that the novel would "paint the American soul" and capture "the ordinary emotions and manners of American existence". Although De Forest espoused praise and critique for contemporaneous novels, he ultimately concluded that the Great American Novel had yet to be written. The essay's publication coincided with the rising prestige of the novel. Previously, only five percent of American books were marked as novels, with most fictional works given the self-effacing title of a "tale". In 1880, writer Henry James simplified the term with the initialism "GAN". Development The term soon became popular, its ubiquity considered a cliché and disparaged by literary critics. Lawrence Buell stated that the concept was seen as a part of a larger national, cultural and political consolidation. William Carlos Williams and Clyde Brion Davis released satirical explorations both entitled The Great American Novel – Philip Roth would later release a novel of the same name. The revival was perhaps the result of social change and related anxieties and the pursuit of a plateau between them. Adam Kirsch noted that books such as Roth's American Pastoral (1997) indicate that writers are still interested in creating the Great American Novel. Tony Tulathimutte similarly dismissed it as "a comforting romantic myth, which wrongly assumes that commonality is more significant than individuality". ==Analysis==
Analysis
Racial and gender commentary Multiple commentators have noted the concept's relation to racial and national identity, be it influence from by large-scale immigration, which brought forth authors closely aligned with the Great American Novel or novels detailing marginalized peoples, some furthermore trying to "bridge the racial divide". Laura Miller wrote, in a Salon article, that "The presumption and the belligerence embodied in this ideal have put off many American women writers". She also noted that many characters in Great American Novel candidates are male: "the notion that a female figure might serve the same purpose undermines the very concept of the Great American Novel". Emily Temple of Literary Hub suggested that if the protagonist of Sylvia Plath's The Bell Jar (1963) were male it would likely be considered more seriously as a Great American Novel contender. Interpretations There are several different interpretations of what makes a Great American Novel. Some say that it depicts a diverse group facing issues representative of "epoch-defining public events or crises." Commentators have said that the concept is exclusively American in nature. Journalist John Walsh offered a national equal in the form of Russian writer Leo Tolstoy's War and Peace (1869); Buell felt that Australia was the only country to replicate America's search. Rogers felt that it does not need to have American protagonists or be set in the United States and should not espouse patriotism or nationalism. The second is "the romance of the divide", which imagines national rifts in the "form of a family history and/or heterosexual love affair"—race often plays a role. Speculating on De Forest's intentions when devising the notion of the Great American Novel and commenting upon its development, Cheryl Strayed wrote that: Denoting an apocryphal state, film critic A. O. Scott compared the GAN to the Yeti, the Loch Ness monster and the Sasquatch. ==Notable candidates==
Notes and references
Notes Citations Works cited • • • ==Further reading==
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