Arts Club of Chicago

The inaugural mission of the club was "to encourage higher standards of art, maintain galleries for that purpose, and to promote the mutual acquaintance of art lovers and art workers." The Arts Club of Chicago was founded by artists and patrons in the wake of The Armory Show, which was on view at the Art Institute of Chicago in 1913. The club's founders—made aware of the exhibition's negative reception by the many Chicagoans who did not understand or accept what they saw—aimed to expose the city to new images, sounds and ideas. Conceived as an exhibition and social space that would cultivate sophisticated conversations around a range of media, The Arts Club has maintained its core interest in presenting culture "in the making," serving as a key venue in Chicago for the presentation of work by the national and international avant-garde. The club does not generally show traveling exhibitions curated by others. Instead, it curates its own exhibits, often with very original works. This places emphasis on cutting edge and avant-garde art. ==History==

staircase and Alexander Calder mobile The club was founded in 1916 and experienced its first coverage in the Chicago Tribune on March 16, 1916. It had office space in the Fine Arts Building that became too limiting to serve the club's mission. In 1918, the club elected Rue Winterbotham Carpenter to replace Mrs. Robert McGann as president. She moved the club to 610 South Michigan Avenue. The first exhibition included portraits by Whistler, Renoir, Cassatt, Augustus John and others. By 1922, the club had outgrown its quarters and sponsored supplementary space at the Art Institute of Chicago until 1927 when the cost of doing so became prohibitive. In 1924, the club moved to the north tower of the Wrigley Building. Rue Carpenter died on December 7, 1931, The club moved to more spacious accommodations at the Wrigley Building in 1936. "Bobsy" Goodspeed served as president until 1940. Then, Rue Winterbotham Carpenter's niece Rue Winterbotham Shaw was elected president. In 1947, the club scaled down its operations for four years after losing its Wrigley Building lease. In 1951, it moved to 109 East Ontario in quarters built to specification that were designed by Ludwig Mies van der Rohe. Using Arts Club furniture, he designed a gallery, dining room, and lecture hall in a pre-existing building. The gallery was built around Constantin Brâncuși's The Golden Bird and the stairway was renowned for its simple elegance. Shaw died in January 1979 and James Phinney Baxter was elected to serve until 1981 when Stanley Freehling was elected. 1990s: new building In the 1990s, the club was located west of Michigan Avenue and behind the 620 building which was home to many of Chicago's finest art dealers including Richard Gray and Richard L. Feigen & Co. The Arts club did not own the land upon which their famous Mies clubhouse was built; instead, the club held the land in a longterm leasehold. In 1990, the owner of 620 N. Michigan and the Arts Club land decided to sell. At first the Arts Club hoped to raise the money to purchase its land along with the 620 N. Michigan Avenue property in an effort spearheaded by Richard Gray, but it quickly became apparent that the club would lose a bidding war over this valuable land. A developer bought the property and demolished the entire block to make way for a movie complex and shopping center. With the prospect of losing its home, the Arts Club opted to sell one of the most valuable items in its collection to finance the purchase of new land. The club decided to sell Brâncuși's Bird to the Art Institute of Chicago. To finance the purchase, the Art Institute sold several second tier works from its famous Impressionist collection at Sotheby's in guaranteed lots which was a new concept in the auction world in 1990. While without permanent home, the club continued to meet regularly in space loaned by the Casino, another famous Near North Side club. The John Vinci designed building is a two-story structure that cost $9 million for the land, building, landscaping, and interior design. The exterior facade is buff brick with black granite windowsills and thresholds and white-painted steel windows. The building's atrium that allows filtered light into the central galleries and dining areas is its primary feature. Another focal point of the building is the restored Mies van der Rohe steel staircase that provides access to the second floor. The design includes white-painted steel, travertine marble, floor-to-ceiling curtains, dark-stained wood floors, and large areas of glass. The color palette of saffron, black, gray, scarlet, and white is consistent with the former building. Also notable are the veil of north side metal screens. The building also has a outdoor landscaped garden. The building accommodates a 200-person audience seating. ==Collection==

The Arts Club's collection is a combination of acquisitions from its exhibitions and donations from both members and artists. It includes works by Georges Braque, Alexander Calder, Natalia Goncharova, Paul Klee, Henri Matisse, Joan Miró, Henry Moore, Isamu Noguchi, Francis Picabia, and Pablo Picasso. The club has made recent acquisitions of contemporary works by Malcolm Morley, Alex Katz, and Peter Doig. Highlights Notable works in the club's private collection include: • Red Petals, plate steel, steel wire, sheet aluminum, soft-iron bolts, and aluminum paint, 1942, by Alexander Calder • Main Staircase for The Arts Club of Chicago, steel, travertine marble, 1948–1951, by Ludwig Mies van der Rohe • Untitled, charcoal on ivory laid paper, 1922, by Henri Matisse • Untitled, black crayon on paper mounted to Masonite, 1932, by Isamu Noguchi • Personage and Birds in Front of the Sun (), ink and gouache on paper, 1942, by Joan Miró • This Thing is Made to Perpetuate My Memory (), ink, gouache or watercolor, and silver and bronze paint on board, 1915, by Francis Picabia • Head of a Woman (Tete de femme), red and black chalk with chalk wash on tan laid paper, laid down on lightweight Japanese paper, 1922, by Pablo Picasso ==Exhibitions, performances and lectures==

Until the Museum of Modern Art was founded in 1929, Chicago and The Arts Club in particular was the most receptive exhibitor of modern art in the United States. At that time, no institution in the United States, especially none in Manhattan, would exhibit European modernism. By renting space at the Art Institute of Chicago's Building the Arts Club was able to arrange showings in Chicago's most prestigious museum. Original Drawings by Pablo Picasso from March 20 to April 22, 1923, by the Arts Club at its installation at the Art Institute of Chicago. (Picasso's work had first been shown the US in a group show in New York curated by Edward Steichen in 1911.) In the 1930s, when Isamu Noguchi was still known as a sculptor, they hosted him. In 1970 when Varujan Boghosian was a timely sculptor known for depicting the legend of Orpheus, The Arts Club hosted a showing. ==Locations==

The current location is the club's seventh location. However, this is the first building owned by the club. The location history is listed below. The first home at the Fine Arts Building had no exhibition space. The club was not able to put on its first exhibition until December 18 when it moved to a location with exhibition space. The club's early gallery spaces were not sufficient to achieve the club's goals and it agreed to assume cost and selection responsibilities for works in a series of shows at The Arts Club Exhibition Room at the Art Institute of Chicago from 1922 to 1927. ==Leadership==

The club has had eleven presidents: ==Dues==

A two-tiered dues system, established at The Arts Club's inception, is maintained to this day: professional members pay lower dues than patrons, ensuring that fine and performing artists remain a vital component of The Arts Club membership. == References ==