Box office . The film was first shown at the Italian cinema trade show
Le Giornate Professionali di Cinema ("The Professional Days of Cinema") in
Sorrento on 30 November 2011 and at the
Glasgow Film Festival on 17 February 2012, before being released widely in the United Kingdom and Ireland on 24 February 2012. This was followed by release in a further 26 countries in March and April. From May to August, more and more nations saw the release of the film, before Japan's February 2013 release capped off the film's theatrical debut calendar. In the United Kingdom,
The Best Exotic Marigold Hotel came in second to
The Woman in Black at the box office during its first week, earning £2.2 million. It eventually topped the UK box office, with £2.3 million, in its second weekend on release. By the end of its UK run, the film had grossed over £20.3 million (approximately US$31 million at that exchange rate), and was the 16th highest grossing film in the UK that year. Prior to its United States debut, the comedy had already grossed US$69 million worldwide and passed both
The Queen (2006) and
Calendar Girls (2003) in total international grosses. By the end of the month,
Best Exotic Marigold Hotel had grossed US$100 million worldwide. The film had a worldwide gross of US$136,836,156. Elsewhere,
The Best Exotic Marigold Hotel took in less than US$58 million. Nations contributing sizable box office returns aside from the UK and North America included Australia (US$21.2 million), Germany (US$6 million), New Zealand (US$4.4 million), Spain (US$4.3 million), France (US$1.9 million), Sweden (US$1.3 million), Italy (US$1.1 million), South Africa (US$1 million), and Norway (US$797 thousand).
Critical reception The film received positive reviews from critics. The review aggregator website
Rotten Tomatoes reported that of critics gave the film a positive rating, based on reviews, with an average score of . Its consensus states "
The Best Exotic Marigold Hotel isn't groundbreaking storytelling, but it's a sweet story about the senior set featuring a top-notch cast of veteran actors." On
Metacritic, which uses a normalized rating system, the film holds a 62/100 rating, based on 35 reviews, indicating "generally favourable reviews".
Mick LaSalle of the
San Francisco Chronicle remarked that the film was "a rare reminder from films that the grand emotions are not only for the young and the middle-aged", citing it "too well made to be dismissed and contains too much truth to be scorned."
Roger Ebert, writing for the
Chicago Sun-Times, gave
The Best Exotic Marigold Hotel three and a half out of four stars. He declared the film "a charming, funny and heartwarming movie [and] a smoothly crafted entertainment that makes good use of seven superb veterans." Claudia Puig from
USA Today called it "a refreshing, mature fairy tale with a top-notch ensemble cast." While she felt the film was "about 15 minutes too long", she summarized it as "a delightful, droll and entertaining comedy of manners with an estimable cast" and an "ideal low-tech alternative to the special-effects laden" film projects of 2012.
Peter Travers from
Rolling Stone rated the comedy three out of four stars. He found that "with a lesser cast, the movie would be a lineup of TV-movie clichés. But this is a cast that never makes a false move even when the script settles for formula."
Chicago Tribune critic
Michael Phillips wrote that "as two-hour tours go,
The Best Exotic Marigold Hotel goes smoothly." While he felt that the film focused on "pleasantly predictable story", he noted that the project was one of those films which "are better off going easy on the surprises, and concentrating on a reassuring level of actorly craft."
Lisa Schwarzbaum of
Entertainment Weekly graded the film with a 'B−' rating, summarizing it as a "lulling, happy-face story of retirement-age self-renewal, set in a shimmering, weltering, jewel-colored India", and that it succeeded in selling "something safe and sweet, in a vivid foreign setting, to an underserved share of the moviegoing market."
Peter Bradshaw, writing for
The Guardian, was more cutting in his 2/5 star review, saying that the film "needs a
Stannah chairlift to get it up to any level of watchability, and it is not exactly concerned to do away with condescending stereotypes about old people, or Indian people of any age." Noting the luminous, prolific resumes of the cast he noted "nothing in this insipid story does anything like justice to the cast's combined potential." He went on to opine that the film appeared "oddly like an
Agatha Christie thriller with all the pasteboard characters, 2D backstories and foreign locale, but no murder." The film received criticism for its depiction of India and
its culture, which was described as relying on outdated
orientalist tropes.
Accolades At the Cinema Scapes Awards, organised on the sidelines of the 2012
Mumbai Film Festival, the film was honoured with the Best International Film accolade for showcasing Indian filming locations. The film and its cast earned five nominations from the
British Independent Film Awards. ==See also==