The Book of Margery Kempe

Kempe's book is written in the third person, employing the phrase "this creature" when referring to Kempe in order to display humility before God, via the distancing from her self by abandoning the first-person narrative form. It is structured into two "books" totaling 6,047 lines. The first book contains 5,246 lines and the second book has 801 lines. Kempe claimed to be illiterate and her book was dictated to two scribes who set it down. Modern editions of Kempe's book are based on a manuscript copied by a scribe named Salthows sometime in the fifteenth century. The original manuscript has been lost. Recent research by Anthony Bale suggests that Salthows was Richard Salthouse, a monk at Norwich's cathedral priory. The manuscript, then owned by Colonel W. Butler-Bowdon, was found in a country-house in Derbyshire in the early 1930s, and was identified as Margery Kempe's book by Hope Emily Allen in 1934, who was instrumental in the publication of the second modern, and first scholarly, edition of the text. In June 1980, the manuscript was purchased by the British Library from Captain Maurice E. Butler Bowdon (1910-1984), at an auction held by Sotheby's in London. Prior to the discovery of the full text, all that was known of Kempe's book were pamphlets published by Wynkyn de Worde in 1501 and Henry Pepwell in 1521 which contained excerpts from The Book of Margery Kempe. Kempe's book is widely cited as the first autobiography in English. However, scholars disagree on whether it can accurately be called an autobiography, or whether it would be more accurately classified as a confession of faith or autohagiography. There has been some discussion about conceptualizing Margery Kempe as a character or persona instead of treating the book as purely autobiographical, similarly to how Geoffrey Chaucer as an author differs from Chaucer the character in The Canterbury Tales. ==Manuscript features==

The Book of Margery Kempe remains in the possession of the British Library. The manuscript has been digitised and can be viewed online. Written in Gothic Cursive hand, it consists of 124 folio pages, measuring 205 x 140mm. Four distinct hands have been identified writing annotations and making illustrations within the marginalia of the manuscript, the most recognizable script being one made in red ink. It could be concluded through the effort of making of these annotations that Kempe's book was frequently used and valued as a text, perhaps its contents viewed with admiration for its religious fervor. The underlining and highlighting by various hands demonstrates the aspects of her text that are valued, perhaps even to draw away from Kempe's more radical and disruptive facets. ==Manuscript, modern editions and translations==

• "British Library Catalogue: Add. MS 61823: The Book of Margery Kempe". • Kempe, Margery. The Book of Margery Kempe, ed. Sanford Brown Meech, with prefatory note by Hope Emily Allen (EETS. Original series; no. 212). London: Oxford University Press, 1940. • Kempe, Margery. The Book of Margery Kempe, trans. Barry Windeatt. Harmondsworth: Penguin, 1985. • Kempe, Margery. The Book of Margery Kempe: The Autobiography of the Wild Woman of God, trans. Tony D. Triggs. Barnhart: Liguori Publications, 1995; Tunbridge Wells: Burns and Oates, 1995. • Kempe, Margery. The Book of Margery Kempe, ed. Lynn Staley. Kalamazoo: Medieval Institute Publications, 1996. • Kempe, Margery. The Book of Margery Kempe: A New Translation, trans. John Skinner. New York: Image Books/Doubleday, 1998. • Kempe, Margery. The Book of Margery Kempe: A New Translation, Contexts and Criticism, trans. and ed., Lynn Staley. New York: Norton, 2001. • Kempe, Margery. The Book of Margery Kempe, trans. Anthony Bale. Oxford: Oxford University Press, 2015 ==References==