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The Childhood of a Leader (film)

The Childhood of a Leader is a 2015 historical coming-of-age psychological drama film co-written, co-produced and directed by Brady Corbet in his directorial debut. It is loosely based on Jean-Paul Sartre's short story of the same name, published in 1939 in a collection entitled The Wall. Corbet co-wrote the screenplay with his partner Mona Fastvold.

Plot
Overture In 1919, Prescott, an American boy, has temporarily retreated to the French countryside with his father, an American diplomat who is there to help negotiate the Treaty of Versailles, and his mother, who is German-born. I. The First Tantrum, A Sign of Things to Come After rehearsing for a church pageant, Prescott throws rocks at the other children and their parents and then runs into the woods. When he returns, he sees his father, who has been drinking with family friend Charles Marker. Prescott is forced to apologize to the townspeople and, though he is unrepentant, he is forgiven. Though his mother is fluent in French, Prescott has been forbidden from speaking anything but English with his mother. II. The Second Tantrum, A New Year As the family is living in France, however, the mother is permitted to hire a tutor, Ada, to teach Prescott some French language. Prescott later sees Ada alone with his father, which his father claims was because he was paying her. Afterwards, during one of their lessons, Prescott grabs Ada's breast inappropriately. Though she is upset by the encounter, Ada does not mention it to his mother. The father, along with several trusted aides, spends some time in secret meetings at the house, no longer having faith in the negotiations. One of the aides, seeing Prescott, mistakes him for a girl, which causes him to strip off his clothes and lock himself in his room for several days. His mother intends to starve him out but he is secretly fed by Mona, the housekeeper. When the mother discovers this, she fires Mona. Mona vows to destroy the mother and her family. Prescott spends several days locked in his room learning French. Afterwards, he recites a text in front of his mother and Ada and then asks his mother to dismiss Ada so he can continue his studies alone. The father returns to find the mother with Marker. Upon seeing that Prescott is still disrobed, he promises to lash him, which results in a physical altercation in which he injures the boy's arm. III. The Third Tantrum, "''It's a dragon...''" In celebration of the signed treaty, the family throws a dinner party for some close intimates. During the dinner, the father asks the mother to lead the group in prayer; she in turn asks Prescott to do so. Instead, he announces that he doesn't believe in prayer anymore. When the mother tries to take him to his room, he strikes her several times in the temple with a rock, badly injuring her and causing her to lose consciousness. When the father attempts to apprehend him, Prescott runs off the stairs. While running, he trips and paralyzes himself. He is approached by Marker and his associates, who reassure him that he is alright. +. A New Era or Prescott, the Bastard Many years later, Prescott is now the military leader of an authoritarian state. Crowds of adoring fans greet him. He has grown to look like Marker, his biological father. ==Cast==
Cast
Bérénice Bejo as The Mother • Liam Cunningham as The Father • Stacy Martin as Ada • Robert Pattinson as Charles Marker / adult Prescott • Tom Sweet as Prescott, The Bastard • Yolande Moreau as Mona • Jacques Boudet as The Priest • Michel Subor • Sophie Curtis • Patrick McCullough • Michael Epp as Mr. Advisor • Roderick Hill as Older American Gentleman ==Production==
Production
Development Brady Corbet began writing the script of the film ten years before on his own but later put it down as he considered it "too big" for a debut film. He later picked it up again after support from his partner Mona Fastvold. On 1 April 2013, it was announced that Corbet was set to make his feature film directorial debut with a France-set World War I film, based on the script he co-wrote with Mona Fastvold. Corbet would produce along with French producers Antoine de Clermont-Tonnerre and Chris Coen, as well as Istvan Major. Film Producer Helena Danielsson of Hepp Film also came on board to get the film additional financing. In 2015, Corbet said that the script of the film was inspired by Robert Bresson's Mouchette, Maurice Pialat's Under the Sun of Satan, Ermanno Olmi's The Tree of Wooden Clogs, Carl Theodor Dreyer's Day of Wrath and Stanley Kubrick's Barry Lyndon. Casting On 10 December 2013, it was announced that Juliette Binoche, Tim Roth and Robert Pattinson had joined the cast of the film. The same month Binoche and Roth were replaced by Bérénice Bejo and Liam Cunningham. Corbet talking about the casting and characters in the film said that I have intentionally not revealed the identity of (the boy who will become leader) character. And it's a funny thing because it's not for the reasons that people think. One thing I will happily tell everybody is that the character is not Hitler [laughs]. And the character is not Mussolini. It's someone else. And there's the dramatic event where you learn who this person is and that's something I want to save for people. Robert Pattinson is not playing Hitler as you now know [laughs]. I'll go on the record saying that. but later moved to January 2015. Bejo talking about her character in the film said that "(I'm playing) the character of a mother whose son is very particular, a little awkward and weird. Over the scenes you're realizing that it is not a normal guy, he'll become a monster or something. And it is about the relationship with the mother and father." Filming Principal photography began from 30 January 2015 in Budapest and continued till 1 March 2015. On 3 February 2015, filming took place at Buda Castle and Hungarian National Gallery. ==Music==
Music
Singer-songwriter, composer and record producer Scott Walker composed the score of the film. The soundtrack album was released by 4AD on 19 August 2016. The film served as closing film at 2016 International Film Festival Rotterdam, where the score of the film was performed live during the screening of the film. ==Promotion and marketing==
Promotion and marketing
On 13 February 2015, Producer Chris Coen released the first image featuring Robert Pattinson, Bérénice Bejo and Liam Cunningham in their costumes. Another still featuring Pattinson, Bejo and Cunningham was released on 8 April 2015. Two clips from the film were released on 4 September 2015. On 25 October 2015, it was screened at Jacob Burns Film Center. ==Release==
Release
The film released in the US on 22 July 2016, in theatres and on VOD simultaneously by IFC Films. Originally it was to be released by Metrodome Distribution in UK but few days before its release the company filed for bankruptcy, after which Soda Pictures released it in UK on 19 August 2016. ==Reception==
Reception
The film received positive reviews from critics, with emphasis on Corbet's screenplay and direction, the performances of the cast, Scott Walker's music and Lol Crawley's cinematography. Review aggregator Rotten Tomatoes reports that 90% of 66 critics have given the film a positive review, with a rating average of 7.40/10. The site's critical consensus reads, "The Childhood of a Leader mirrors the rise of fascism in post-WWI Europe with a well-acted, confidently crafted look at one young man's unsettling coming of age." Metacritic gives the film a score of 68 based on reviews from 18 critics, indicating "generally favorable reviews". David Ehrlich in his review for Indiewire said, "With his unusually accomplished directorial debut, Corbet delivers a strange and startling film that reflects the unique trajectory of his career, as well as the influence of the iconoclastic directors with whom he's already worked." Tommaso Tocci of The Film Stage called it "a huge psychological and tonal balancing act that could crumble at each turn, and yet never does." Guy Lodge of Variety called it "a overweening [sic], maddening but not inconsiderable directorial debut for actor Brady Corbet, which plays as something of a straight-faced parody of a well-upholstered historical biopic." John Bleasdale of Cine Vu gave it five out five stars by saying that "(it) is a dark, enigmatic piece of work that hovers between visionary greatness and petty domestic triviality. Corbet's inaugural stint behind the camera marks a stunning debut and the finest film at Venice thus far." In contrast, Deborah Young in her review for The Hollywood Reporter said, "There is actually a lot of imagination at work in the film, though frustratingly it rarely comes together in an emotionally meaningful way." Accolades ==References==
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