As Rhymes was not comfortable with including lyrics about his personal life and struggles, the album was very short on autobiographical or personal topics and lyrics. contains two beat change ups and "commentary on wack rappers and the state of the rap game" from Rhymes. Rhymes "dedicates [the last] portion [of the song] to all the 'niggas that keep falling', as a clever
ODB vocal snippet plays behind him, emulating the sound of a man screaming as he falls from extremely high heights to his death." The appearances of
Flipmode Squad members
Lord Have Mercy and
Rampage on the track have been described as a "cartoonishly monstrous prologue". The "first real song" on the album, "
Do My Thing", features a "funky, heavy-bass beat" by producer
DJ Scratch. Rhymes' verses on the track have been described as "ridiculously witty." The track ends with a short skit that "re-iterates how Busta feels about wack rappers," as Rhymes can be heard "
whipping" somebody for "talking shit," and copying his lyrics. The skit has been removed from digital versions of the album. The "grimy, nocturnal" instrumental with "heavy drums" of "Everything Remains Raw" was produced by
Easy Mo Bee. Many of Rhymes' lyrics on the track were previously used on his
freestyle on
Funkmaster Flex's 1995 mixtape
The Mix Tape, Volume 1: 60 Minutes of Funk. Both the previous track, "Do My Thing", and "Everything Remains Raw" have been said to "provide no distractions and illuminate how Busta's humor and knowledge can seep through a track while simultaneously highlighting his great rhyming". Over the "energetic, stripped-down instrumental" of "Abandon Ship" produced by Rhymes, he and his cousin Rampage "showcase their chemistry on the mic with one hyped-up, razor-sharp lyric after another". The song's refrain has been described as "catchy-as-hell." After "Abandon Ship" ends, an excerpt of
Galt MacDermot 1969 song "Space", which gets sampled on the following track, can be heard. This interlude "helps to bring the energy down from 'Abandon Ship'". The fifth track and lead single "
Woo-Hah!! Got You All in Check" features "cleverly-written" lyrics with a "manic delivery" over an "infectious" instrumental by Rhymes and
Rashad Smith. Rhymes builds the chorus around a line from the 1980
Sugar Hill Gang song "
8th Wonder". The song is followed by a skit featuring a "quick throw away verse," as most of the verse contains Rhymes ad libbing, and multiple shoutouts to
Saddam Hussein. The skit was the first track recorded for the album The "dark jazz textured backdrop" of "Hot Fudge" produced by
the Vibe Chemist Backspin finds Rhymes "calming down just enough to sound sinister and slightly scary". The song is followed by a skit about a Jamaican woman getting
oral sex, "with no intentions of paying her sexual partner back the one she owes him." The "moody" and "nocturnal" instrumental of "Ill Vibe" was produced by the featured
Q-Tip. The chemistry between Rhymes and Q-Tip has been described as similar to that of
Method Man and
Redman. In the next track, "Flipmode Squad Meets Def Squad", the Def Squad members
Jamal, Redman and
Keith Murray engage against the Flipmode Squad members Rampage, Lord Have Mercy and Rhymes in a rap battle with no chorus or hook over a backdrop produced by the Vibe Chemist Backspin. The song is Rhymes' "attempt to create another memorable posse record on par with '
Scenario' by A Tribe Called Quest featuring
Leaders of the New School (the group Rhymes was a part of), and [...] 'Headbanger' (by the
Hit Squad, the group from which the Def Squad emerged)" and serves "as the formal introduction" of Rhymes' Flipmode Squad. The "spacey, synth-assisted production" of "Still Shining" by producer
J Dilla goes right "into a short but sweet acknowledgment of Busta's own lyrical talents as an MC." The chorus interpolates one of Rhymes' lines on the remix of A Tribe Called Quest's "
Scenario". In an interlude between "Still Shining" and the following track "Keep It Movin'", Rhymes "verbally scar[es] the shit out of his LONS [Leaders of the New School] peers to get themselves out of their retirement comfort zone to get to the studio." The "bluesy" instrumental of "The Finish Line" was produced by DJ Scratch. The song contains Rhymes rapping about the untrue lifestyle of a man and explains how it "will soon lead to his demise." In the outro, "The End of the World", Rhymes re-uses one of the beats from the intro and uses it to "show gratitude to his supporting fans and offers up a few parting words about using your time wisely." The track is followed by a short skit in which a man can be heard, "who's apparently on his death bed full of regret for not using his time wisely and accomplishing all things he wanted out of life. Then [...] the man slips into death, travels through the 'dark tunnel' [...] [as a] portion of the medieval classic "O Fortuna" plays, while a distorted devilish voice laughs, which suggests that the regretful man went to hell." The outro has been described as "putting a super dark ending on what was mostly a light-hearted listen." ==Singles==