The Countess of Parma is a 1937 Italian "white-telephones" comedy film directed by Alessandro Blasetti and starring Elisa Cegani, Antonio Centa and María Denis. Marcella, a mannequin working in a fashion store in Turin, falls in love with an Italian International football player whose aunt has just acquired the store intending to replace its reliance on French fashions with Italian designs. Blasetti later described it as his only "white telephone" film, although his 1939 comedy Backstage has also been noted for its similar characteristics.