The book received excellent reviews on its first publication, and was chosen by
John Masefield to receive the Harmsworth Award for the best work of imaginative prose by an Irish author. It stayed in print for some twenty years, and was reprinted in 1972. In his introduction to a 1976 reissue
Dennis Wheatley said that it would "appeal to those who love shooting, hunting and magnificent descriptions of the beauties of nature". Mark Amory, writing in 1972, called it "now the best-known and loved of all his work"; he noted that the author's prose was here "eloquent but under control", and that it had "a feeling for the country and country people". The Dunsany scholar
Darrell Schweitzer considered it his finest novel. He felt that the Irish countryside "comes across so vividly that the reader is all but transported there", but he nevertheless emphasised the importance of its otherworldly elements: "between the finest magical cursing and conjuring scenes Dunsany ever wrote and the vision of
Tir-nan-Og, the book has the feel of the purest fantasy". Both critics were agreed in calling it an unusually autobiographical Dunsany novel.
S. T. Joshi called
The Curse of the Wise Woman Dunsany's most unified novel, while an anonymous
Kirkus reviewer offered the contrary opinion that it fell between the two schools of mysticism and rustic realism. == Reprint ==