West criticised Devis's treatment, which was in contrast to West's own "Epic Composition", also titled
The Death of Nelson (which even more inaccurately showed Nelson dying on
Victory's quarterdeck where he had first been shot, and was refused by the Greenwich Royal Naval Hospital on West's death – it is now in the
Walker Art Gallery Liverpool). However, it was Devis's work that won Boydell's commission, though it was only printed in 1812 despite having already gained 800 subscribers by August 1806 and despite the chosen engraver,
William Bromley, having promised to have it done in two years from December 1806. West's painting had made it to print by 1811 and the two had equally great success in the short term, though the Naval Gallery (housed in the Painted Hall at
Greenwich Hospital) refused to buy Devis's painting from Boydell. However, Devis's was purchased by
Nicholas Vansittart,
Lord Bexley (envoy to the Danes at the time of the
Battle of Copenhagen), who in 1825 presented it to the Naval Gallery, from which point onwards it became the better known of the two works. Devis’s large oil sketch for it was bought in 1852 by
Queen Victoria, from 1892 or earlier to 1992 a waxwork tableau at
Madame Tussaud's reproduced the painting, a smaller copy was placed near Nelson's place of death during restoration of
Victory in the 1920s, and the original was placed as the
Painted Hall's central painting by the late 19th century. In this position, it was at the heart of the Hall's role as a major Nelsonic and naval shrine. ==Accuracy and iconography==