's
The Musical Entertainer Henry Carey wrote the
libretto to a
burlesque opera called
The Dragon of Wantley in 1737. The opera, with
music composed by
John Frederick Lampe, punctured the vacuous operatic conventions and pointed a satirical barb at
Robert Walpole and his taxation policies. This
Augustan parody was a huge success and its initial run was 69 performances in the first season; a number which exceeded even ''
The Beggar's Opera'' (1728). The opera debuted at the
Haymarket Theatre, where its coded attack on Walpole would have been clear, but its long run occurred after it moved to
Covent Garden, which had a much greater capacity for staging. Part of its satire of opera was that all the words were sung, including the recitatives and da capo arias. The play itself is very brief on the page, as it relied extensively on absurd theatrics, dances, and other non-textual entertainments.
The Musical Entertainer from 1739 contains engravings showing how the work was performed. The piece is at once a satire of the ridiculousness of operatic staging and an indirect satire of the government's tax policy. In Carey's play, Moore of Moorehall, "a valiant knight, in love with Margery", is a drunk who pauses to deal with the dragon only between bouts of drinking and carousing with women. Margery offers herself as a human sacrifice to Moore to persuade him to take on the cause of battling the dragon, and she is opposed by Mauxalinda, Moore's "cast-off mistress", who has interest in him now that a rival has appeared. The battle with the dragon takes place entirely offstage, and Moore only wounds the dragon (who is more reasonable than Moore in his dialogue) in its anus. The main action concerns the lavish dances and songs by the two sopranos and Moore. The opera is now rarely performed. Isleworth Baroque (now
Richmond Opera) have produced two fully-staged productions, in 2012 and 2021. The
University of Birmingham also performed the opera as part of their Summer Festival in the Barber Institute of Fine Arts. It was produced for Chicago's Haymarket Opera Company in October 2019 and by the
Boston Early Music Festival in 2023 with subsequent performances in Miami and Troy, New York in 2023 followed by European performances in Sweden at the
Confidencen and Germany at Musikfest Bremen, both in 2025.
Recording John Frederick Lampe:
The Dragon of Wantley – Mary Bevan, Catherine Carby, Mark Wilde, John Savournin, The Brook Street Band, John Andrews. Resonus Classics 2022 ==The novel==