Box office The Father grossed $2.1 million in the United States and Canada, and $34.3 million in other territories, for a worldwide total of $36.4 million. The weekend following its six Oscar nominations, the film made $355,000 from 937 cinemas. Following its two Oscar wins, the film made $147,000 from 713 cinemas, for a running total of $1.9 million. In Spain, the film made $171,901 in its opening weekend from 156 cinemas, then $160,378 in its second and $54,901 in its third.
Critical response won his second
Academy Award for Best Actor for his role as Anthony. According to
PostTrak, 84% of audience members gave the film a positive score, with 54% saying they would definitely recommend it. Writing for
Variety,
Owen Gleiberman said "
The Father does something that few movies about mental deterioration in old age have brought off in quite this way, or this fully. It places us in the mind of someone losing his mind—and it does so by revealing that mind to be a place of seemingly rational and coherent experience." For
The Guardian, Benjamin Lee wrote of Hopkins's performance: "It's astounding, heartbreaking work, watching him try to rationally explain to himself and those around him what he's experiencing. In some of the film's most quietly upsetting moments, his world has shifted yet again but he remains silent, knowing that any attempt to question what he's woken up to will only fall on deaf ears. Hopkins runs the full gamut of emotions from fury to outrage to longing for his mother like a little child and never once does it feel like a constructed character bit, despite our association with him as an actor with a storied career."
Todd McCarthy of
The Hollywood Reporter wrote: "The best film about the wages of aging since
Amour eight years ago,
The Father takes a bracingly insightful, subtle and nuanced look at encroaching dementia and the toll it takes on those in close proximity to the afflicted. Fronted by a stupendous performance from Anthony Hopkins as a proud Englishman in denial of his condition, this penetrating work marks an outstanding directorial debut by the play's French author Florian Zeller." Writing for
Indiewire,
David Ehrlich said: "Zeller adapts his award-winning play of the same name with steely vision and remarkable confidence, as the writer-director makes use of the camera like he's been standing behind one for his entire life. ... In Zeller's hands, what appears to be a conventional-seeming portrait of an unmoored old man as he rages against his daughter and caretaker slowly reveals itself to be the brilliant study of a mind at sea, and of the indescribable pain of watching someone drown." Writing for
The New York Times, Jeannette Catsoulis said
The Father is "stupendously effective and profoundly upsetting" and described it as a "majestic depiction of things falling away".
The Guardian Anne Billson ranked Hopkins's performance in the film as the best of his career. It is, according to
The Times, "one of the greatest cinematic experiences of the decade".
Legacy In 2022,
Time Out ranked it number 93 on its list of the "100 Best Films of the 21st Century So Far", writing that the film "communicates perfectly what dementia must feel like: a world stripped of its signposts, a feeling of being uncoupled, a sense of the familiar slowly becoming frighteningly 'other'." It also ranked number 27 on its list of the "30 Best Drama Movies of All Time," saying "While it's not the first movie to explore the difficulties of living with dementia, few others have done so quite as powerfully as
The Father. It very quickly establishes itself as an intensely psychological drama, putting viewers in the mind of its main character and showing the ways he's frequently disorientated, confused, and untrusting of people he doesn't always recognize." In 2024,
Looper ranked it number 42 on its list of the "50 Best PG-13 Movies of All Time," writing "Countless mainstream horror movies could take a cue from
The Father in terms of how to chill audiences to the bone ... Consistently eerie and uncertain,
The Father is also laced with deep empathy for its protagonist, a trait punctuated by a towering, heartbreaking performance from Hopkins."
Selections •
Sundance Film Festival: official selection •
Toronto International Film Festival: official selection •
Telluride Film Festival: official selection •
San Sebastián International Film Festival:
Pearls section •
Zurich Film Festival: official selection •
Hamptons International Film Festival: official selection •
Dinard British Film Festival Accolades ==Related film==