The film has developed a
cult following due to its gruesome, if primitive,
special effects, including some memorably bloody death scenes. One character is eaten from the inside out by the titular monsters, resulting in a gushing fountain of intestinal matter. The
deep focus cinematography was the work of director Jack Curtis (working under a pseudonym, Carson Davidson), who shot most scene outdoors under the sun of Long Island. The film was scripted by comic book writer
Arnold Drake (
The Doom Patrol, Marvel's
Captain Marvel, et al.). Drake storyboarded the film, so every shot has the careful, formalized composition of a well-drawn comic strip. One shot, for example is a shot in deep focus: the right profile of the hero dominates the left-side foreground of the frame; in a moment, two or three tiny figures at the far-removed shoreline move left to right, from behind the actor's head, and in focus. According to the film's writer and producer
Arnold Drake, Terry Curtis, wife of director
Jack Curtis won $72,000 on the
television quiz show: "High Low". Part of the money was used finishing the production. While filming on location at Montauk,
New York, a real
hurricane destroyed the sets and equipment. Production was delayed for a year and the cost rose from $60,000 to $105,000. In 1967,
George A. Romero began work on a horror film provisionally called
Night of the Flesh Eaters; to avoid confusion with this film, the title was changed to
Night of the Living Dead. The title was changed when its distributor,
The Walter Reade Organization, expressed concern over confusion with
The Flesh Eaters, released three years earlier. The film was copyrighted two years before its original release in 1964. Although Barbara Wilkin had the prominent role of Ann, she said in an interview that she has no memory of this film. ==Release==