In 1954, Jane Russell formed a production company with her husband
Bob Waterfield named Russ-Field. They signed with United Artist for a six-picture deal and for tax purposes, Jane could only appear in half of them. Their first production in association with Voyager Productions was
Gentlemen Marry Brunettes—a film Jane Russell did not want to make, but United Artist insisted that she star in the production as part of the Russ-Field deal.
Gentlemen Marry Brunettes fared poorly at the box office. Their next two productions,
Run for the Sun (1956) and
The King and Four Queens (1957), both made money. For Jane's next film, she chose
The Fuzzy Pink Nightgown. Director
Norman Taurog wanted
Dean Martin in the role of Mike but the role went to
Ray Danton. However, Danton suddenly was let go from the picture. As reported by columnist Harrison Carroll" "...troubles have come up on the picture, Ray Danton playing opposite Jane, came down with a severe attack of laryngitis. He has worked only two and a half days. The company doesn't want to wait, so they are getting a new actor for the role." In early 1957, Hollywood columnist Erskine Johnson reported: "The 'laryngitis' announced for Ray Danton's bow-out as Jane Russell's leading man in
Fuzzy Pink Nightgown turned out to be the fuzziest announcement of the year. The real reason Ray's out of the cast: After looking at the rushes, Producer Waterfield decided he was too young for Jane. Ralph Meeker is now playing the role." Danton was born in 1931, Russell in 1921, and Meeker in 1920. About the movie, Russell wrote in her autobiography: "Norman [Taurog] saw the picture as strictly a Technicolor camp, while I had the mystery and romance of it in mind, in black and white. It should have been one way or the other, but as it turned out, it was neither. That was one time the star should have had nothing to say, I guess, because Norman would have made a comedy in color with Dean Martin in his first semi-serious role, which he's done fabulously since, and the publicity alone would have pulled it off, or we should have had another director. Norman still got his slapstick ending, but it just seemed old fashioned without color. The picture was neither fish nor fowl, but I still liked it.". Despite her honest assessment of the movie, Jane considered
The Fuzzy Pink Nightgown, along with
Gentlemen Prefer Blondes (1953) as the two favorite films of her career . == Reception ==