The Girl in the Fireplace was first broadcast in the United Kingdom on
BBC One on 6 May 2006. The final rating for the episode was 7.90 million, making it the sixth most-watched programme on
BBC1 that week. It received an
Appreciation Index of 84. and "The Girl in the Fireplace" won the 2007
Hugo Award for Best Dramatic Presentation, Short Form. Writing for
IGN, Ahsan Haque praised Tennant and Myles' acting, the episode's pacing and the "extremely touching" story, but felt it failed to sufficiently explain why the Doctor could not use the TARDIS to see Reinette before she died. He wrote that "with a little more attention to temporal details, this episode would have been considered as one of the series' greatest moments".
Metro said the clockwork androids were one of the "most memorable villains" while
The Guardians Daniel Martin said "The Girl in the Fireplace" is "one of the most acclaimed episodes from the Davies era". Ross Ruediger from
Slant Magazine wrote that the episode "may be the crowning achievement" of
Doctor Whos second series. Ruediger called it an episode "for the new millennium" as he thought it "could never exist under the banner of the old series." He called it a "thought-provoking piece", and wrote that episodes like this could not be broadcast every week since it "would be too taxing on the average viewer's brain". IGN's Matt Wales ranked "The Girl in the Fireplace" the third best Tennant
Doctor Who story, calling it "one of
Doctor Whos most touching adventures". Not all reviews were positive. In a 2008 retrospective piece, Nivair H. Gabrie criticised problematic elements of the episode, calling the Doctor and Reinette's relationship a "random, thoughtless romance". He similarly called the Doctor's decision to give up his and his companion's lives for Reinette "pretty jarring" and contrasting with his established character. In the 2015 book
The Doctors Are In, co-author Stacey Smith praised the cast but found the Doctor and Reinette's relationship awkward, especially due to the Doctor first meeting her as a child. She criticises the dialogue and characterisation – questioning, for example, Rose's small role and her lack of upset at the Doctor leaving her for Reinette, calling it "criminal" for Rose. A sequel to the episode, written by Moffat and dubbed "Pompadour", was released as part of a
watchalong of the episode in May 2020. The story depicts Reinette worrying about a potential duplicate of her thoughts and memories being made, before it is revealed that the Reinette speaking is in fact the copy, stored on-board the spaceship. == See also ==