In his review of the track's parent album, Robin Murray of
Clash noted that the track served as "a dose of realism" for the album, noting that it reflects the beginning of the group's career. In a four-star review of
The Clearing, Jon Dolan of
Rolling Stone compared the track to the "introspective piano pop" of
Carole King's work. Will Richards of
Rolling Stone UK highlighted the track as the album's best. Writing for
Paste, Miranda Wollen described that the track "attempts to paint [Ellie] Rowsell as a happy-go-lucky lazy girl" and compared it to
Clairo's "sad-girl charisma". Lewie Parkinson-Jones of
Slant Magazine highlighted the contrast between the track’s "smooth-jazz, string-laden" arrangement and its "frank" lyrics, noting that the latter prevent the song from becoming "easy listening." ==Live performances==