Recording sessions took place in Los Angeles, and New York City in the latter half of 1967 after the band completed touring for their debut album. Their 1967 national tour had the PBC opening in high-profile venues including the
Fillmore Auditorium, and the
Whisky a Go Go for contemporaries like
Big Brother and the Holding Company and
Jefferson Airplane. The band was influenced by those they opened for and it was reflected on their album. For recording, the band added guitarist Bill Wolff previously from the band,
Sound Machine. The second recording by the PBC emphasized a reflection of their live performances compared to their pop-driven debut album. Eight of the eleven tracks extend beyond the three-minute limit conventional for songs of the period. These extended jams, most notably "Too Many Do" and "Ecstasy", most resemble the live experience of a PBC performance. "Too Many Do" became one of the first long cut recordings to be featured in extended radio play. Alan Brackett, regarding their extended tracks, said it was "something we enjoyed a lot and I wish we had done it more at the recording sessions". Many of the tracks include complex instrumental sections. Instrumentally, their sound was more experimental as the band included additional sound effects and distorted guitar solos, signatured by the chord stops and starts.
Barbara Robison was limited to backing vocals on several tracks, and shared the singing duty with Al Brackett. However, when Robison did perform lead vocals, like on the track "Pleasure", she displayed a powerful voice with emotional integrity. Overall, the band's sound was more focused as they were allowed recording freedom. ==Release==