By April 1939, the picture was already viewed by some 15,000,000 people. In 1941, Chiaureli and Gelovani both won the
Stalin Prize, 1st class, for their work on the film.
The Great Dawn was released in the United States in 1940. New York Times' critic interpreted its distribution there as being influenced by the signing of the
Ribbentrop-Molotov Pact, writing: "conforming with the pact and the new party line, Soviet filmmakers now tell the world that the Russian and the German comrades would have reconciled back in 1917 if it hadn't been for the Anglo-French "imperialists"... The rest of it is in the familiar vein of Soviet lily-gilding." Historian
Peter Kenez viewed the film as the one "best anticipating the future of Stalin's image" in cinema, noting that Chiaureli allowed him to "escape Lenin's shadow" and turned him to the one the revolutionaries looked up to for leadership. Cinema scholar Nikolas Hülbusch regarded
The Great Dawn as "the first contribution of the Tbilisi Studio to Stalin's
cult of personality", noting that the premier's character began to exhibit the traits that would define it in later propaganda films, like the ability to mellow out the romantic relationships of his followers.
Mira and
Antonín J. Liehm commented that the picture was the first to clearly portray Stalin in the forefront of the Revolution and as Lenin's "closest collaborator and successor". Olga Romanova saw the film as the beginning of a long process, during which Lenin's image in cinema would slowly fade away and allow Stalin to take precedence. ==References==