Nicola Upson wrote in the
Continuum Encyclopedia of British Literature, that the story of Eamon Redmond is "absorbing" and that it is a "beautiful portrayal of the little moments of everyday life as it is in its dealings with the bigger questions of sexual awakening, loss, and grief". She compared the novel to
James Joyces
Dubliners "in its treatment of childhood, adolescence, and maturity". In his review for ''Magill's Book Reviews'', Mark McCloskey opines that Tóibín's "minimalist style complements Eamon Redmond's minimalist character". He argues that this style of writing though "tends to make every gesture and event in the novel equal — that is, somewhat flat".
Mark Harman wrote in the
Los Angeles Times, that the author "tells this moving tale in such a deceptively straightforward manner that it would be easy to mistake the novel for a good read and nothing more than that ... yet the more one thinks about this clear-headed yet intense book, the stronger the impression it leaves". In her review for
The Village Voice, Laurie Muchnick says it is a "beautifully written book, the prose fluid and never flashy, the structure perfectly suited to the story", and that she was surprised at its "subtle humor, and its awareness of small ironies".
John Lanchester of
The Guardian said that this novel has "peculiar resemblances" to
John McGahern's book
Amongst Women. ==References==