The film was generally poorly received by critics.
Varietys writer Jay Weissberg criticized the direction of Avati, marked as "incapable of turning the gothic into anything remotely interesting, delivering bland, predictable scenes devoid of tension".
The Hollywood Reporters critic Natasha Senjanovic noted the high kitsch value in the film, and blamed on the "implausible and illogical" plot twists. Italian film critic
Paolo Mereghetti praised the cruel and non-obvious ending of the film chosen by Avati. ==References==