Kay Gardella in the
New York Daily News called it a "well-acted, taut live TV drama." Aleene Barnes of the
Los Angeles Times Wrote that it "hit the mark solidly". She also praised Mason for creating a character who both demanded the viewer's compassion and aroused hatred for his cruel deeds. Critic Ogden Dwight called it "a remarkable television exploit" and the most distinguished installment of
Playhouse 90 of the season. He also praised Mason's performance as "a masterpiece of creative acting." Fred Remington in
The Pittsburgh Press praised the performances of Mason, Basehart, and Howard, and called the production "a strange excursion into madness." ==References==