The Honkers

An aging rodeo rider thinks more of himself than he does of his wife, son, and best friend. ==Cast==

• James Coburn as Lew Lathrop • Lois Nettleton as Linda Lathrop • Slim Pickens as Clete • Anne Archer as Deborah Moon • Richard Anderson as Royce Owens • Joan Huntington as Rita Ferguson • Jim Davis as Sheriff Potter • Ramon Bieri as Jack Ferguson • Teddy Eccles as Bobby Lathrop • Mitchell Ryan as Lowell • Wayne McLaren as Everett • John Harmon as Sam Martin • Richard O'Brien as Matt Weber • Pitt Herbert as Haberdasher • Luther Elmore • Chuck Parkison Jr. as Announcer • Larry Mahan as Himself • Wiley McCray as Himself ==Production==

Writer-director Steve Ihnat was an experienced character actor who had just written and directed a self funded feature film Do Not Throw Cushions Into the Ring. Costumer Stephen Lodge wrote his first script with his new writing partner, Dave Cass. Lodge knew Ihnat from working on various television shows; the latter read it and asked Lodge if he would collaborate on a script about a rodeo rider. Lodge said "Steve’s agent heard that rodeo movies were going to be the next big thing, and that’s why he wanted Steve to write one. We didn’t know that there would be two others around town and made at the same time, J.W. Coop and Junior Bonner.” Filmink argued it was "one of several “modern day Western dramas” that popped up in the wake of the success of The Last Picture Show... Unlike Picture Show, which was about young people, they were all about middle aged rodeo riders who are sexually irresistible, and they all flopped." According to Lodge, the first draft took four weeks, after that they attended a rodeo for research and did original drafts. The script was originally entitled Home Town Boy then this was changed to The Honkers after a slang term used to describe a rough bull. The script sold to United Artists and Levy-Gardner-Laven became attached as producers. Ihnat wanted to play the lead role but the studio insisted on a star. ==Reception==

According to Time, "Ihnat bears partial responsibility for writing this lackluster plot, although as a director he fares a good deal better. Unlike most fledgling film makers, Ihnat has an uninsistent and subtle style. He can catch the fleeting mood of a scene in a few shots, most impressively in a terse, brutal barroom brawl, and he has a good eye for local color." ==See also==