The Last of England (painting)

Brown began the painting in 1852 inspired by the departure of his close friend, the Pre-Raphaelite sculptor, Thomas Woolner, who had left for Australia in July of that year. Emigration from England was at a peak, with over 350,000 people leaving that year. Brown, who at the time considered himself "very hard up and a little mad", was himself thinking of moving to India with his new family. ==Painting==

The painting depicts a man and his wife seeing England for the last time. The two main figures, based on Brown and his wife, Emma, stare ahead, stony-faced, ignoring the white cliffs of Dover which can be seen disappearing behind them in the top right of the picture. They are huddled under an umbrella that glistens with sea-spray. The family's clothing and the bundle of books next to them indicate that they are middle class and educated, and so they are not leaving for the reasons that would force the emigration of the working classes; Brown's writing touched on the same theme: In the foreground a row of cabbages hang from the ship's rail, provisions for the long voyage. In the background are other passengers, including a pair of drunken men, one of whom was conceived by Brown as "shaking his fist and cursing the land of his birth". Also present are "an honest family of the green-grocer kind, father (mother lost), eldest daughter and younger children". He was seen as strange by his neighbours who saw him out in all kinds of weather. He composed a short verse to accompany the painting in which the woman is depicted as hopeful for the future: Brown's painting room was above a china shop at 33 High Street, Hampstead and sittings took place in the house's garden. His diary noted that the "ribbons of the bonnet took me 4 weeks to paint". ==Style==

Although Ford Madox Brown was never a member of the Pre-Raphaelite Brotherhood, The Last of England, like many of his paintings, exhibits the characteristics of the movement in its luminous colour and minute focus on naturalistic detail. The format of the painting is nearly circular, a shape that emphasises the instability of the couple beginning a long journey on a turbulent sea. ==Versions==

Two finished versions of the picture exist, one in Birmingham Museum and Art Gallery and the other in the Fitzwilliam Museum in Cambridge. A reduced watercolour replica of the painting in Birmingham produced between 1864 and 1866 is in Tate Britain. A fully worked study also exists, and a detailed compositional drawing. The colouring varies among the different versions. All have a vertical oval shape, that was commonly used for half-length portraits, and perhaps recall the round Renaissance tondo format. ==Provenance==

In March 1859 The Last Sight of England, as it was then known, was sold by Benjamin Windus to Ernest Gambart for 325 guineas (2019: £). ==Popularity==

The picture was voted Britain's eighth-favourite picture in a poll carried out by BBC Radio 4. In 2013 it was voted 32 out of 57 paintings chosen by the British public from national collections, which were used for ''Art Everywhere The World's Largest Public Art Exhibition''. ==See also==