The story divided the contemporary critical opinion. The right-wing press in general reacted negatively, one particularly hostile review (titled "Some Things on Chekhov and his Cases") coming from K. Medvedsky, in
Moskovskiye Vedomosti.
Nikolai Minsky in
Birzhevaya Gazeta interpreted the story as a mild, 'decadent' quasi-social etude, making much of Chekhov's perceived 'indifference' to his characters.
Akim Volynsky in
Severny Vestnik interpreted the story as a self-conscious hymn to 'a little man'. In retrospect, the first truly insightful analysis of the Belikov character in relation to the political and social atmosphere in Russia at the time, came from
Angel Bogdanovich who (in the October 1898 issue of
Mir Bozhy) praised Chekhov for discovering a new, and yet totally realistic social type. Still, Bogdanovich saw the story as utterly pessimistic and complained about its author 'morbid' mindset that prevents him from becoming a truly great realist. Highly positive was the review in
Syn Otechestva by
Alexander Skabichevsky who credited Chekhov with being not only a fine artist but also shrewd social commentator. He rated the Belikov character right up there with the most memorable creations by
Gogol and
Goncharov. ==Adaptations==