Box office In its US release,
The Medallion was No. 5 at the box office on its opening weekend and fell steadily lower during its 10-week release. Overall, it has earned $22.2 million, ranking No. 42 among all martial arts films released in the US and eighth among the
Jackie Chan films distributed in the US. The US box office performance had exceeded Sony/TriStar Pictures' profitability target ('mid-teens' box office target).
Critical response The film received generally negative reviews from critics. On
Rotten Tomatoes the film has a rating of 17% based on reviews from 125 critics. The site's consensus states: "The use of special effects diminishes some of Chan's appeal in this disposable picture." On
Metacritic the film has a score of 38% based on reviews from 30 critics, indicating "generally unfavorable reviews". Audiences surveyed by
CinemaScore gave the film a grade B. • Mick LaSalle,
San Francisco Chronicle: "The best of Jackie Chan's American movies, a pleasant little action comedy that makes one wonder how other filmmakers could ever get it wrong." •
Roger Ebert,
Chicago Sun-Times: "A disposable entertainment, redeemed by silliness, exaggeration, and Chan's skill and charm. I would not want to see it twice, but I liked seeing it once." Ebert called it an improvement over
The Tuxedo but not as good as
Shanghai Knights. • Steven Rea,
Philadelphia Inquirer: "Chan's signature mix of screwball comedy and gymnastic derring-do landed him his own cartoon series a few years back, and
The Medallion -- with its bumbling spies and bounding star -- is about as cartoonish as live action gets." • Dennis Harvey,
Variety: "At times plays as if it were aimed at children, but more often simply seems to be aiming blind at whatever genre cliche the five credited writers fix upon in any given scene." • Wesley Morris,
Boston Globe: "Moves from cheekiness to ineptitude, often in a single take." • Jami Bernard,
New York Daily News: "Evans fumbles through painfully extended homophobic jokes, weak double entendres and agonizingly contorted double-takes." • Marc Savlov,
Austin Chronicle: "One of the Peking Opera-trained superstar's most mediocre films, rivaling last year's God-awful
The Tuxedo for sheer messy filmmaking and brazen acts of tedium... Abysmal."
Accolades •
23rd Hong Kong Film Awards • Nomination: Best Action Choreography (
Sammo Hung) • Nomination: Best Visual Effects (Matthew Gidney) ==Notes==