Kirkus Reviews, in its
starred review, evaluated the book as a "revelatory meditation on shattering journeys".
Jennifer Szalai of
The New York Times questioned Coates's "conspicuous" choice to keep his coverage of contemporary Israel in his narrative to his ten-day trip — and not also include mention of the
October 7 attack on Israel or the subsequent
Israeli bombing of the Gaza Strip.
Becca Rothfeld of
The Washington Post defended the book from pro-Israel critics, but still described it as "disjointed, heavy-handed and frequently clichéd", pointing to sentences such as "The only way I ultimately survived was through stories" and "You wonder if human depravity has any bottom at all, and if it does not, what hope is there for any of us?" Perry Bacon Jr., also of
The Washington Post, was more positive, saying that "the writing in this book is lyrical, the reporting richly detailed, and almost every page offers a new and important insight or articulates an idea you had in your head but hadn't fully put together". Likewise, Hassan Ali Kanu of
The American Prospect was complimentary towards the book's lyrical qualities, writing that he found its treatments of the question of minority writers politicizing their works, and of
colorism, black nationalism and social inequality in post-colonial African society compelling. In
Haaretz, the journalist and documentarian Noam Sheizaf wrote that while
The Message was not the "ultimate book" about Israel's occupation of the West Bank, it nevertheless offered a "critical perspective" for liberal Israeli readers.
The Message featured as one of the 28 best books of Fall 2024 selected by
Oprah Daily, where the reviewer noted: "In each location, Coates negotiates the double-edged sword of language: the mythmaking that builds these oppressive systems and the witness bearing that promises to undo them. At once a rallying cry and a love letter to writing itself, the book is an urgent reminder that 'politics is the art of the possible, but art creates the possible of politics. Writing in
The Oberlin Review, editor-in-chief Nikki Keating said in conclusion about Coates: "His reflections remind us that writing is more than a craft; it is a duty, a means of preserving truth, and a path to liberation. Through his travels and reflections, Coates shows that we each have the power to honor our past and to fight for a just future — whether by sharing stories of resilience from Senegal, standing up to censorship in South Carolina, or bearing witness to struggles in the West Bank." In
The Guardian, Aamna Mohdin praises
The Message as Ta-Nehisi Coates's powerful return to nonfiction, comparing its impact to the
1982 hip-hop song of the same name by
Grandmaster Flash and the
Furious Five.
CBS Mornings interview Tony Dokoupil, co-anchor of
CBS Mornings television program, in an interview with Coates on September 30, 2024, took exception to the chapter of the book dedicated to the
Israeli-Palestinian conflict. Dokoupil implied that
The Message "reads like the work of an extremist" and he also questioned whether Coates denied
Israel's right to exist or was offended by the mere existence of a
Jewish state. Following the interview, Tony Dokoupil met with members of the CBS News's Race and Culture Unit after a group of
CBS News employees expressed concern to executives about the way he had handled the interview, focusing on Dokoupil's "tone of voice, phrasing and body language". Network executives Adrienne Roark and
Wendy McMahon said in an all-staff meeting, audio of which was leaked by
The Free Press, that the interview had not followed the network's principle of neutrality, though legal correspondent
Jan Crawford pushed back and defended Dokoupil. Dokoupil was also defended by
Paramount chair
Shari Redstone. Rothfeld accused both Dokoupil and
The Free Presss
Coleman Hughes, who wrote that Coates had a "desire to smear Israel", of "perform[ing] an activity that barely even resembles reading. In their haste to peg Coates as the Face of a Movement, they are intent on doing anything and everything but attending to the actual book he has written." ==References==