A widely repeated story—including by Brown himself—that director
Larry Cohen rejected the music as "not funky enough" is denied by Cohen. On the DVD commentary track for
Black Caesar (to which
Hell Up in Harlem is a sequel), Cohen states that executives at
American International Pictures were already unhappy with Brown for delivering songs much longer than expected on
Black Caesar and ''
Slaughter's Big Rip-Off'' and opted for a deal with
Motown Records instead. Cohen said the absence of Brown's music from
Harlem still "breaks [his] heart."
The Payback was a success, going to number one on the
Billboard Soul Albums chart for two weeks and cracking the
Billboard 200 albums chart in the Top 40. It was Brown's only studio album to be
certified gold. Musically,
The Payback largely features cyclic grooves and jamming, but it also features departures into a softer
soul-based sound on tracks such as "Doing the Best I Can" and "Forever Suffering". The album was
reissued on single CD in 1992 with liner notes by
Alan Leeds. ==Track listing==