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The Peacock Room

Harmony in Blue and Gold: The Peacock Room is a work of interior decorative art created by James McNeill Whistler and Thomas Jeckyll, translocated to the Freer Gallery of Art in Washington, D.C., which is part of the Smithsonian's National Museum of Asian Art. Whistler painted the paneled room in a unified palette of blue-greens with over-glazing and metallic gold leaf. Painted between 1876 and 1877, it is now considered one of the greatest surviving Aesthetic interiors, and the best examples of the Anglo-Japanese style.

History
The Peacock Room was originally designed to serve as the dining room in the townhouse located at in the neighbourhood of Kensington in London, and owned by the British shipping magnate Frederick Richards Leyland. Leyland engaged the British architect Richard Norman Shaw to remodel and redecorate his home. Shaw entrusted the remodelling of the dining room to Thomas Jeckyll, another British architect experienced in the Anglo-Japanese style. At one point, Whistler gained access to Leyland's home and painted two fighting peacocks meant to represent the artist and his patron, which he titled Art and Money: or, The Story of the Room. He referenced the incident again in his book, The Gentle Art of Making Enemies. Adding to the emotional drama was Whistler's fondness for Leyland's wife, Frances, who separated from her husband in 1879. Another result of this drama was Jeckyll who, so shocked by the first sight of his room, returned home and was later found on the floor of his studio covered in gold leaf; he never recovered and died insane three years later. Having acquired The Princess from the Land of Porcelain, American industrialist and art collector Charles Lang Freer anonymously purchased the entire room in 1904 from Leyland's heirs, including Leyland's daughter and her husband, the British artist Val Prinsep. Freer then had the contents of the Peacock Room installed in his Detroit mansion. it also underwent extensive restoration in 2022. ==Legacy==
Legacy
Filthy Lucre, an installation by contemporary artist Darren Waterston, replicates The Peacock Room in a state of decay and disrepair. It opened in May 2015. In March 2020, Church Life, a journal of the University of Notre Dame's McGrath Institute, published "The Art of Madness and Mystery," an essay which uses The Peacock Room and Waterson's Filthy Lucre to examine at length the differences and inherent character of traditional art (especially in the context of Aestheticism) and Contemporary Art. == See also ==
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