Upon its release, Garry Johnson of
Sounds noted that
Rogues Gallery is "chock-a-block with high quality power pop, glorious hooks, instant singalongs, ultra-catchy terrace-style chants and anthemic, hymn-like ballads". He added, "No matter how corny Slade become, they just never seem to lose that all-purpose pop knack for goodtime r 'n' r. Personally, I can give them no higher compliment than this: they are the band that young rock bands should model themselves on, instead of the likes of
Judas Priest or US FM." Tom Hibbert of
Smash Hits noted the band's "petty musical thievery" across the album, but added, "Never mind, though; those stupid spellings, crunching guitars, boozy lyrics and footer terrace growls are still intact and so Slade continue to preserve the status quo."
Deseret News stated: "Slade is the epitome of a rock band: catchy melodies, infectious rhythms and the most enjoyable lyrical pacing in contemporary music.
Rogues Gallery is one of the finest examples of rabble-rousing rock 'n' roll to come along in years... [and] a guaranteed winner." The Canadian
Leader-Post felt that
Rogues Gallery was a "neater effort" than the preceding
Keep Your Hands Off My Power Supply, and concluded: "They may be long in the tooth, but they haven't lost their bite." Rich Harry of
The Morning Call said: "Slade let non-of that I'm-old-there-fore-I-hurt guff gem up their fine new LP. Resembling Geritol on plastic, the album is a fine pop primer for enjoying life while approaching the gloomy pit stop of middle age." Mark Peel of
Stereo Review commented, "
Rogues Gallery is the musical equivalent of pub grub – a healthy wallop of bangers and mash washed down with a half-dozen pints of bitter. The songs slosh merrily around, their horsy rhythms and singsong lyrics spilling frothily forth in invitation to sing along. The more the merrier." He also noted the band were "derivative", with the album showing signs of the band having "plundered most of BMI and started in on ASCAP", but felt "familiarity is essential to bar-room anthems".
AllMusic retrospectively reviewed the album, which summarised: "Unfortunately for everyone, the decision was made to lay on a whole pile of keyboards this time out; the end result was an album that was far less endearing than
Keep Your Hands Off My Power Supply. The rogues' gallery concept probably would have been a lot more convincing if the music had been stripped of the keyboards and overly slick production and given more of a rock & roll edge." ==Track listing==