Roger Moore had earlier tried to buy the production rights to the
Saint books himself and was delighted to be able to play the part. Moore eventually became co-owner of the show with
Robert S. Baker when the show moved to colour and the production credit became Bamore Productions. Most of the wardrobe Moore wore in the series was his own. He was reportedly offered the role of
James Bond at least twice during the run of the series, but he had to turn it down both times due to his television commitments. In one early episode of the series (titled "Luella"), another character actually mistakes Templar for Bond. (Coincidentally this episode also features
David Hedison who appeared alongside Moore in the Bond film
Live and Let Die.) Moore was eventually in a position to accept the role as Bond in 1973 after filming ITC's
The Persuaders! with
Tony Curtis. Moore had a few recurring co-stars, especially
Ivor Dean, who played Templar's nemesis,
Inspector Teal. In three early episodes, Teal had been played by
Campbell Singer, Norman Pitt, and
Wensley Pithey; Dean featured from the episode "Iris" (7 November 1963) onward. Teal's relationship with Templar was broadly similar to that depicted in the novels, but in the series, he is often depicted as bungling, rather than merely Charteris's characterisation of him as an officious, unimaginative policeman. When in France, Templar had a similar relationship with Colonel Latignant (
Arnold Diamond). Latignant is depicted as being even less competent than Teal, and is even keener than Teal to find Templar guilty, though Templar repeatedly helps him solve the case. Unlike Teal, Latignant did not appear in Charteris's novels. In all, Inspector Teal featured in 26 episodes and Colonel Latignant in six.
The Saint began as a straightforward mystery series, but over the years adopted more secret agent and fantasy-style plots. It also made a well-publicised switch from
black-and-white to colour production midway through its run. The early episodes are distinguished by Moore breaking the
fourth wall and speaking to the audience in character at the start of every episode. With the switch to colour, this was replaced by simple narration. The pre-credit sequence usually ended with someone referring to (and/or addressing) the Saint by name – "Simon Templar"; at this point, an animated halo appeared above Templar's head as the Saint looked at the camera (or directly at the halo). The scene then switched to the title card, which featured a haloed stick figure. The stick figure sometimes appeared in episodes to represent the Saint. Some episodes, such as "Iris", broke away from the formula and had Templar address the audience for the entire pre-credit sequence and referring to himself by name, setting up the story that followed. Many episodes were based upon Charteris's stories, although a higher percentage of original scripts were used as the series progressed ("Queen's Ransom" was both the first colour episode and the first episode not to be based on a Charteris work). The novel
Vendetta for the Saint, credited to Charteris but written by
Harry Harrison, was one of the last
Saint stories to be adapted. Some of the later scripts were novelised and published as part of the ongoing series of
The Saint novels, such as
The Fiction Makers and
The People Importers. The first of these books, which gave cover credit to Charteris, but were actually written by others, was
The Saint on TV, and the series of novelisations continued for several years after the television programme had ended. Templar's car, when it appeared, was a white
Volvo P1800 with the number plate ST1. This model Volvo is still often referred to as "the Saint's car", with miniature versions made by
Corgi which have proved popular. Volvo supplied their recently introduced car in 1962 for its promotional value, after
Jaguar had rejected a request from the producers to provide an
E-type. Unlike its contemporary rival,
The Avengers,
The Saint was shot entirely on film from the beginning, whereas the first three series of
Tbe Avengers (broadcast between 1961 and 1964) were videotaped, with minimal location shooting. All episodes of
The Saint were syndicated abroad. The black-and-white series were first syndicated in the US by NBC affiliate stations in 1967 and 1968, and 32 of the 47 colour episodes were broadcast by NBC from 1968 to 1969, and have since played in syndication in the US for many years after. Most series are available on
DVD in North America. Two two-part episodes from series 6, "Vendetta for the Saint" and "The Fiction Makers", were made into feature films and distributed to theatres in Europe, and often show up on late-night television in America. They are also available on DVD. In the UK,
ITV4 has broadcast colour episodes, with
Talking Pictures TV and
That's TV airing the black and white episodes. In the US,
FamilyNet and
RTV have aired both the black-and-white and colour episodes.
MeTV has also broadcast the series. In March 2015, the CBS-owned
Decades digital cable network aired a "Series Binge" marathon of the show as part of "Countdown to Decades", a soft-launch prelude to the network's official launch in May 2015. The marathon featured every episode of the series aired back to back. The marathon began on 30 March at 5 pm Eastern Time and ended on 3 April at 11 pm. The broadcast network
This TV has been running three or four episodes in a block on Saturday evenings since April 2018, starting at either 11:00pm or midnight (depending on the running time of the movie scheduled to air ahead of it). Later in October, This TV added a two-episode-per-weekday run at 7:00am, independently sequenced of the continued Saturday night airings. Neither includes the two-part episodes referenced in the previous paragraph. ==Filming locations==