The Monthly Film Bulletin wrote: "The idea of a group of children trundling an iron bedstead through the city streets is full of delightful possibilities, though here they are perhaps not exploited to the full; there are some weaknesses of plot and dialogue and firmer direction might have helped to cover deficiencies in the playing. But the children are well chosen, the London backgrounds are spendidly photographed and there is a jaunty and attractive score. An appealing film for adults as well as children." The
Manchester Guardian called the fim "a brisk, episodic, adventurous tale about a group of children who are, determined to earn an honest penny and find it very difficult to do so. Brisk action and the minimum of dialogue – these are, perhaps, the chief film-making principles observed by the makers of these films and they are certainly observed in
The Salvage Gang. It is alsd characteristic in that it avoids 'goody goodiness' but does show honourable effort honourably (if comically) rewarded. Parents would approve of it: there seems no reason why even sophisticated children should not also approve." In
British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "good", writing: "inventive children's film with well-used backgrounds." Ben Walsh, writing in
The Independent, called the film a "thoroughly charming short feature." In
Sight and Sound Nick Pinkerton wrote: "John Krish's
The Salvage Gang, shot with his customary monochrome elegance and visual reflectiveness, winds dreamily across late-50s London as a reassuringly scruffy (even mildly multicultural) quartet chase odd jobs and a mislaid bedstead from
Islington to
Tower Bridge and back. Krish coaxes engaging if not naturalistic – performances from his young cast (CFF chief Mary Field preferred stage-school children with
RP accents, for their supposed vocal clarity). But his gorgeous shots of a still-recovering London (
St Paul's with a bomb-splintered pub in the foreground, a giddying shot of a crane snatching the bed on to a busy building site) give a sharp sense of time and place to Mary Cathcart Borer's gentle tale." == Home media ==