The film received mixed reviews from critics.
The Times wrote, "It is a very drab hour and a half, in the company of actors who have not yet established their reputations and are unlikely to achieve them as a result of this movie. The story combines a rather unsavory triangle with a jewel robbery and the director Mr. Curtiz has achieved a certain amount of suspense but little else." David Bongard of the
Herald Express wrote that "Carol Ohmart is the sultry boss's wife. She has an amazing physical resemblance, in some angles, to Barbara Stanwyck. Obviously she's Curtiz's Galatea in the acting field. If the material weren't so childish and over-dramatic, she might have made a bull's-eye with this. She soon might be capable of the stuff of a Stanwyck or a Bette Davis." Critic
Leonard Maltin gave the film a lukewarm review, referring to it as a "sluggish study of marital discord leading to murder." In an interview with
New York magazine,
Elaine Stritch referred to it as being her worst film, primarily due to her limited role; she said, "The part was so terrible it looked like I was visiting the set: I had nothing to say. I just kept running into places saying, 'Hi!' The worst." In
People magazine, she was quoted as saying "The first film I did
The Scarlet Hour was shown in a Greenwich Village art house as a laughable exercise in how not to make a movie." David Krauss of
High-Def Digest wrote that "The Scarlet Hour travels a well-worn film noir path, but slick direction from Michael Curtiz, spirited performances from a fascinating cast, and a jaw-dropping transfer freshen up this taut tale of infidelity, greed, and murder. Excellent audio and a first-rate commentary track also distinguish Imprint's release of this little-known but surprisingly potent movie. Though a far cry from Double Indemnity and Out of the Past, The Scarlet Hour delivers solid entertainment and makes a great addition to any noir collection." ==References==