John Barrymore signed a three-film contract with
Warner Brothers in 1925 after the success of 1924's
Beau Brummel. Barrymore had always wanted to do a film version of
Moby-Dick and insisted on making this film first rather than the prospected first contract film
Don Juan. In retrospect and because of this delay,
Don Juan became the first Warner feature to have the
Vitaphone soundtrack rather than
The Sea Beast. One of the most popular of Barrymore's films, this version extends the story beyond the final battle of man versus whale in a variation on Melville's book. Adding publicity to the film was a bit of early
Hollywood hype, unintentional though it may seem: the actress
Priscilla Bonner was fired by Barrymore from the role of Esther Harper, in preference for his lover, actress Dolores Costello, and Bonner successfully sued the studio and won a considerable out-of-court settlement. Barrymore exploited the romantic scenes with Costello to their full potential in the film, displaying a "boyish enthusiasm" according to biographer Margot Peters, which made him fall out with Costello's mother. Barrymore drank heavily during the production of the film, and his eyes were constantly bloodshot, with stubble on his chin. Producer
Jack L. Warner said "that's a great makeup job" to director Millard Webb, who retorted, "That's not makeup. It's a hangover". The ship used in the film,
The Narwhal, was actually a former fighting ship with decks stained with blood from fights. The theme in the orchestral score is "
Love's Old Sweet Song". Due to the success of this film, an
all-talking version was released in 1930 under Melville's original book title, with Barrymore again in the role of
Captain Ahab. The 1930 film used the plotline of
The Sea Beast rather than following Melville's novel. A German-language version,
Daemon des Mers, was filmed simultaneously in Hollywood by Warner Bros. It was directed by
William Dieterle, beginning his American career. ==Reception==