Dead Set

On eviction night of Big Brother, reports of violent disorder across the UK raise the possibility that the live show will be cancelled. Inside the house, contestants Marky, Veronica, Grayson, Joplin, Angel, Space and Pippa remain oblivious. Producer Patrick bullies and berates his staff as presenter Davina McCall prepares for the broadcast. Production runner Kelly is having an affair with a co-worker, while her boyfriend Riq is stranded at a railway station after his van is stolen. Elsewhere, a driver is bitten by a zombie and reaches the production compound just as he dies and reanimates, attacking a security guard. As Pippa is evicted, the infected guard stumbles into the crowd, dies and turns; the infection rapidly spreads through the compound. Zombies overrun the studio, killing the audience, crew and Davina. Kelly survives by barricading herself in an office, while Patrick saves himself by sacrificing others and takes refuge in a green room with the newly evicted Pippa, as zombie Davina prowls nearby. By morning, the housemates remain cut off and confused by Big Brother’s silence, with only Space sensing something is wrong. Kelly tries to escape in a van but is forced back inside; chased through the camera runs by a zombie cameraman, she enters the house via a Diary Room side door. The housemates assume she is a new contestant until she warns them about the outbreak and the danger behind the one-way mirrors. When Marky opens a fire exit to taunt her, the cameraman bursts in, bites Angel, and is killed by Kelly with a fire extinguisher. Riq survives by hiding in a petrol station until he is rescued by a hardened survivor, Alex. After their vehicle breaks down and zombies give chase, they take shelter in a country house. In the Big Brother house, nurse Grayson lacks supplies to treat Angel’s bite, so the group confines her to the greenhouse. Kelly, Marky and Space raid a nearby supermarket in the van. Police responding to looting shoot a bitten officer, then mistake Marky’s arm injury for a bite; Kelly takes the dead officer’s gun, shoots the surviving policeman in the leg, and leaves him as zombies descend. Back at the house, Angel turns; Grayson is mortally wounded and reanimates, and Joplin and Veronica kill him. Kelly returns and puts Angel down. Riq later discovers the Big Brother live feed is still broadcasting on E4 and sees Kelly on screen. Believing the Big Brother house offers his best chance of safety, he and Alex travel by river; at a lock, Alex is bitten and forces Riq to kill her before she turns, and he continues alone. Patrick and Pippa kill zombie Davina and reach the control room, where Patrick uses the PA system to contact the housemates and guide them into the house. He insists on attempting to reach the coast, but Kelly shows him the horde massed at the compound gates. Patrick proposes using Grayson’s remains as bait to reach the van, dividing the group. When Riq arrives, Marky—armed with an assault rifle—nearly shoots him until Kelly recognises him. Riq warns that Patrick’s plan is futile; the housemates restrain Patrick, but he exploits Diary Room secrets and public perception to manipulate Joplin, takes Kelly hostage, and forces the group outside with the bait. The bait is dropped during a struggle, Patrick fatally shoots Riq, and Joplin opens the gates in desperation, allowing the undead to flood the compound. Joplin is devoured and Patrick is torn apart as the survivors scramble back toward the house. Space retreats to the control room and coordinates defence over the PA, but is bitten while unlocking the Diary Room as the house is overrun. Kelly reaches the Diary Room as Marky and Veronica are killed, and Space sees Pippa among the undead. Kelly urges Space to open the exterior door so she can fight her way to the van; he reluctantly complies. The next morning, the surviving characters have reanimated, and the Big Brother live feed broadcasts zombie Kelly’s vacant stare across televisions in the UK. ==Cast==

Cameos by former Big Brother housemates ==Episodes==

All episodes were directed by Yann Demange and written by Charlie Brooker. ==Production==

Writing Charlie Brooker said that the basic idea for the series came about in 2004, when he was watching the American series 24. He commented: "I'm enjoying this, but these terrorists are just ridiculous. They're like waves of Space Invaders. They might as well be zombies." He then imagined an apocalypse occurring during the filming of Big Brother, and cited the Big Brother house as a good place to hide during a zombie outbreak. Brooker wrote the first draft of the script in 2005, during the airing of Big Brother 6. Beyond Big Brother, Brooker cited zombie fiction as an influence, including the Dead series of films by George A. Romero, Zombie Flesh Eaters, 28 Days Later, The Walking Dead, The Living Dead At Manchester Morgue and Zombie Creeping Flesh. although the setting and premise were not publicly revealed until August of that year. portrayed herself in Dead Set Filming Brooker described the Big Brother eye logo featured in Dead Set as a combination of several of the logos used across the franchise. The production designed the fictional Big Brother set to resemble the television programme, including similar cameras, two-way mirrors that could be angled to conceal the camera crew, astroturf and a modified Diary Room chair from Big Brother 8. Filming took place during the summer of 2008, primarily at Longcross Studios and in surrounding areas. The eviction of Pippa (Kathleen McDermott) was filmed at the Big Brother house in Elstree on 18 July 2008, the same night that Belinda Harris-Reid was evicted from Big Brother 9. Several former Big Brother housemates also appeared as themselves; they were filmed speaking together as part of a fictional reunion before the production recorded their reactions to the outbreak. Because she was available for only one day, a dummy of McCall was used in some shots. Brooker said filming was affected by budgetary and time constraints. Extras were sometimes redressed to play multiple zombies because of the cost of contact lenses used for the zombies' eyes, and a scene in episode 2 in which Alex and Riq's car breaks down was originally planned as an explosive crash. Many of the zombies in crowd scenes, including the final assault on the house, were volunteers recruited online. Brooker has a brief cameo as a zombie in the second episode. ==Release==

Promotion A map for the Borehamwood region, the site of the real Big Brother House, was added to the browser-based game Urban Dead as part of the series' promotion, with a competition to win a copy of the DVD. In an interview about the campaign's interactive work, created by Will Clark, Chris Hassell and Stuart Holton, they said the promotion targeted online fan communities by combining Big Brother imagery with zombie-horror, including an interactive Diary Room clip in which a blood-covered contestant appears to write the viewer's entered name on the wall, and described the concept as "almost a magic cocktail". The interactive campaign later won a British Academy Television Craft Award for Interactive Creative Contribution. Broadcast Dead Set aired on E4 from 27 to 31 October 2008 (a 70-minute premiere followed by four 35-minute episodes, including adverts). The series was later repeated on Channel 4 from 6 January 2009. In the United States, the miniseries aired on IFC in October 2010. Home media The series was released on DVD by Channel 4 DVD; the British Board of Film Classification lists an approximate running time of 142 minutes. The DVD release includes interviews with Brooker and director Yann Demange, production featurettes, and deleted and extended scenes. ==Reception==

Critical response Reviewers frequently focused on the series' central conceit of combining a Big Brother-style reality-TV setting with a zombie outbreak. In The Guardian, Chris Moran described it as an "absurdly high concept" that had been translated to the screen "with real confidence and skill", arguing that the reality-television setting allowed Brooker to make "a sly dig at society" rather than merely stage a genre exercise. Moran likewise wrote that Brooker's wit had "made the journey intact" from page to screen, and praised the production for its "zip, conviction and style". Newton's main reservation was that the story's timeline "feels a little erratic in places". Brooker responded that the zombies had to run "or the story wouldn't work", and also argued that "running zombies are, to be frank, cheaper than stumbling ones". Accolades At the British Academy Television Awards in 2009, Dead Set was nominated for the Drama Serial award, losing to Criminal Justice. At the British Academy Television Craft Awards the same year, its interactive promotional campaign won the Interactive Creative Contribution award, and Brooker received a nomination for Breakthrough Talent. Legacy Retrospective commentary has described Dead Set as a precursor to Brooker’s later anthology series Black Mirror. Brooker said in an interview that the series "contains all of Black Mirrors DNA". Scholarly writing has similarly treated Dead Set as part of Brooker’s broader body of dark satirical television, including Black Mirror. In 2013, the fourteenth series of Big Brother featured a quarantine-themed task involving a fictional viral outbreak which was reported to have been inspired by Dead Set. Brooker later wrote that the production team had checked that he did not mind the reference. In 2019, Netflix announced the Brazilian series Reality Z, a local adaptation of Dead Set, which premiered in 2020. During the COVID-19 pandemic, media coverage of Big Brother contestants emerging from isolation into a changed outside world drew comparisons tohe premise of Dead Set. Themes and analysis Academic discussion of Dead Set has focused on masculinity, surveillance and spectatorship. Lauren Stephenson argues that the series offers a "timely portrait of British masculinity on the brink of crisis", and that older masculine ideals are "tested, renegotiated and found wanting". She also suggests that the Big Brother setting encourages performative identity under constant surveillance, creating parallels between the housemates and the undead as objectified spectacles; even the zombies, she notes, continue "performative practices of the living (watching television, in particular)". Stephen Webley likewise places Dead Set in the social satire associated with George A. Romero. He argues that the Big Brother format was "ready-made for a Romeroesque satire", and that the miniseries portrays reality television as a "shockingly obscene form of entertainment". He further connects the series' emphasis on surveillance with its ending, arguing that, like the gaze of the camera in Big Brother, "everyone is a zero-sum universalized commodity". For Webley, the closing image of Kelly on the monitors, watched by the undead, turns the finale into a commentary on both ideological spectatorship and media consumption. ==See also==