Box office During the first week of its January 1980 release, the film grossed $1.67 million. According to the chart book by Leonidas Fragias, it was a number one film in cinemas for the weekend of 6 February 1980.
Critical response Tom Buckley of
The New York Times panned the film, writing: "The only frightening thing about
Silent Scream is that there are people who will pay $5 to see it... Everything about the production is repulsively amateurish, and it is saddening to see performers like Yvonne De Carlo and Cameron Mitchell reduced to appearing in it."
The Philadelphia Inquirers Desmond Ryan praised the camerawork as "adept" but ultimately deemed the film "crude and ineffective for the apparent reason that Harris is so absorbed in technique—in how a grasping hand or wielded knife is to be filmed—that he has ignored just about every other aspect of making a film." Hal Lipper of the
Dayton Daily News deemed the film a "carbon copy of
Halloween," though he praised Balding as a "competent actress" and added that the film's finale "looks as though it came from a
Charles Manson therapy session." Robert Masulo, a critic for
The Sacramento Bee, praised the film's cinematography, but felt the performances were "without inspiration," and the screenplay "overflowing with clichés." Joe Baltake of the
Philadelphia Daily News similarly felt the film was derivative, but praised the performances and cinematography, which he described as "admirable, considering the shoestring status of the production, lending grace to the gory proceedings." Clyde Gilmour of the
Toronto Star called the film a "cliché-strewn horror melodrama" with a "ludicrous script." Linda Gross of the
Los Angeles Times was more favorable in her assessment, writing that "despite indulgences in improbable plotting and predictable gore,
The Silent Scream is a scary, stylish
Grand Guignol horror movie," adding that director Harris "rarely miscalculates his shocks, and his quiet moments are even better."
The Boston Globes Michael Blowen also gave the film a favorable review, summarizing: "In spite of its obvious flaws,
Silent Scream is the best low-budget horror film since
Halloween. If that sounds like damning with faint praise, so be it." Ted Mahar of
The Oregonian also praised the film as "well-made," noting its strong performances and "rich visual look, with subdued colors and intelligent use of darkness and shadow," as well as noting its homages to
Psycho (1960). The film was used as an example of the "women in danger" genre in a special 1980 episode of
Sneak Previews with Siskel and Ebert dedicated to criticising such releases, which were becoming a trend in the wake of John Carpenter's
Halloween, as
the slasher genre was starting to be codified. Two clips were played, the first of the heroine looking for a room in the guest house and the second of her about to be attacked by the killer. In the episode,
Roger Ebert narrates the footage thusly: "This aggressive woman gets a room alright, but she also gets beaten, gagged, tied up in a closet and attacked with a knife." He used this as an example of how "the moment that a woman starts making decisions for herself in these movies, you can almost bet she's going to end up
paying with her life, and horribly." ==Notes==