The
Spanish Friar appears to have been brought out shortly after
Thomas Thynne's murder, which is alluded to in the Prologue, probably early in 1681–2. The whimsical caricature, which it presented to the public, in
Father Dominic, was received with rapture by the prejudiced spectators, who thought nothing could be exaggerated in the character of a Roman Catholic priest. Yet, the satire was still more severe in the first edition, and afterwards considerably softened. It was, as Dryden himself calls it, a Protestant play;
Jeremy Collier says it was rare Protestant diversion, and much for the credit of the
Reformation. Accordingly, the
Spanish Friar was the only play prohibited by
James II after his accession. After the
Revolution, the
Spanish Friar was the first play represented by order of
Mary II, and honoured with her presence; a choice, of which she had abundant reason to repent, as the serious part of the piece gave as much scope for malicious application against herself, as the comic against the religion of her father. An account of the public reaction, with some other particulars, is contained in a letter from the
Earl of Nottingham, published by
Sir John Dalrymple, from a copy given him by the Bishop of Dromore: == Notes ==