After a review and photo appeared in the
City Press, Liza Essers, the owner and director of the Goodman Gallery, said that she received a telephone call from Mduduzi Mbata, special advisor to the minister of arts and culture, seeking to clarify her thoughts on the exhibition. She invited him to visit the gallery the following Tuesday. The ANC issued a press release on 17 May 2012 expressing outrage over the painting and saying it would apply to the
High Court to have it removed. Attorneys representing the ANC and Zuma repeated the threat in an email sent to Essers the same day. A leader of the Nazareth Baptist Church called for the artist to be stoned to death. Zuma responded to the artwork by saying that it painted him as "a philanderer and a womaniser". In response to the impending legal action, gallery spokesperson Lara Koseff said its lawyers had responded that it would stay until the show was over, citing censorship concerns as central to the decision to allow the exhibition to continue. Brett Murray said that his painting had not been intended maliciously, but as "an attempt at humorous satire of political power and patriarchy within the context of other artworks in the exhibition and within the broader context of South African discourse".
Consequences The ANC's public condemnation of the painting brought widespread local and international attention to the painting, where otherwise it may have remained a relatively obscure piece of work. For this reason, the action and subsequent fall-out has been characterised as an example of the
Streisand effect. Subsequently,
The Spear has been featured in editorials and news features in all forms of traditional and digital media. Former ANC leader
Oliver Tambo's daughter Tselane Tambo was of the opinion that Zuma deserved Murray's portrayal of him. She wrote on a social networking site, "Do the poor enjoy poverty? Do the unemployed enjoy hopelessness? Do those who can’t get housing enjoy homelessness? He must get over it. No one is having a good time. He should inspire the reverence he craves. This portrait is what he inspired. Shame neh!”. The media boycott of
City Press by the ANC and various public figures led to the newspaper eventually removing the painting from its website on 28 May 2012.
Media boycott After
City Press repeatedly refused to remove an image of the painting from their website, the ANC called upon its members and sympathisers to boycott placing advertising in, and buying of, the weekly paper. A statement released by the ANC said: "Their refusal to remove this portrait from their website and their controlled social media is a clear indication that this newspaper does not belong to our shared democratic dispensation and values." Responding to the boycott,
City Press editor-in-chief
Ferial Haffajee described Nzimande's call for a boycott of the paper as "deeply disturbing". The ANC was criticised by the South African National Editors' Forum (SANEF), which said "While we recognise the right of the ANC to advise members on how to exercise their consumer decisions, the call for a boycott of a newspaper is tantamount to intimidation and abuse of power ... This kind of behaviour is unbecoming of a party that functions in an open democratic stage and especially one which leads the national government." The boycott of City Press was further condemned by the
International Press Institute (IPI), and by 28 May, ten days after the newspaper printed the painting for the first time, opinions in the ANC had divided with several senior members opposing the boycott. == Defacement ==