The film's soundtrack was composed by Marvin Hamlisch, who filled in for usual Bond composer
John Barry, as Barry was unavailable for work in the
United Kingdom due to tax reasons. The soundtrack, in comparison to other Bond films of the time, is more disco-oriented and included a new disco rendition of the "
James Bond Theme", titled "Bond 77" which Hamlisch said was influenced by "You Should Be Dancing" by The Bee Gees An element of the Barry style remains in the suspenseful film sequence in which
James Bond (
Roger Moore) and
Anya Amasova (
Barbara Bach) try to track down
Jaws (
Richard Kiel) at an antiquated site in Egypt. The accompanying Hamlisch music echoes Barry's "Stalking," from the pre-credit fantasy sequence of
From Russia with Love, featuring Bond (
Sean Connery) and villain Red Grant (
Robert Shaw). A large percentage of the music in the film was re-recorded for the soundtrack album and, therefore, does not sound exactly like the music in the film, the track "Bond '77" being the most obvious. It is a cue that was recorded several times specifically for different moments of the film (the opening ski chase, the car chase on land, then underwater and the gun battle with the troops on the Liparus). The soundtrack album uses a different 'medley' version, slower in pace, which features aspects of most of the variations of the track used throughout the film, compiled into one piece. This version was also released as a 7" single on
United Artists Records (the track "Ride to Atlantis" was the b-side). The main theme by Simon also differs in the film; it has a fade out on the album/single but in the film's opening titles, it has a more abrupt ending, finishing with a long electronic note. The track "Anya" on the album does not feature in the film. There are also many cues used in the film that have yet to appear on any soundtrack release. ==Track listing==