The Stroll has received positive reviews from film critics. In a
RogerEbert.com review, Brandon Towns described the film as "riveting," and writes, "From both a technical and political standpoint, “The Stroll” is a tremendous achievement." According to David Rooney in a review for
The Hollywood Reporter, "one of the captivating paradoxes of Kristen Lovell and Zackary Drucker’s lovingly assembled chapter of queer history is that while it never downplays the marginalization, persecution and physical danger of being a trans woman of color making a living through sex work, it gives equal time to the resilience, the sense of community, the proud sisterhood and shared survival skills that flourished on that block long before social justice activists were taking up the “Trans Lives Matter” cause." Jude Dry writes in a review for
IndieWire, "The film takes its title from the block of 14th street between Ninth Avenue and the Hudson River where many once found their trade, which the gals called The Stroll. In interviews with many women formerly "in the life," dating from the 1970s through the early aughts,
The Stroll captures the essence of what it must have been like to walk the stroll." In a review for
Paste Magazine, B. Panther writes, "For a long time, most documentaries about trans lives were spiritually dishonest because it was usually an outsider coming in with an agenda. But with this film, Lovell joins the impressive collection of transgender history films like
Kokomo City, which give trans women - trans sex workers in particular - access to show and tell their own stories." Fionnuala Halligan writes in a review for
Screen Daily, "It is, in a way, a companion piece to 2017's
The Death And Life Of Marsha P. Johnson, which was picked up by
Netflix and became a vital reference point in the continuing struggle for transgender rights."
The Stroll is a
New York Times Critic's Pick, and a review by Devika Girish states, "if
The Stroll is an indictment and elegy, it is also a remarkable document of the self-determination of the women and workers who learned, in the face of the worst odds, to fend for themselves and each other." Guy Lodge writes in a review for
Variety, "This is a trans history project created by, and in service of, the trans community - a community that can collectively account for why its story merits telling, even if it's fractured and fragmented today," and "it continually honors the dignity with which women like Ceyenne, Egyptt, Lady P and Tabytha - and Lovell too - have confronted a world that would have much rather ignored if not outright erased them." ==See also==