The
review aggregator website
Rotten Tomatoes surveyed and, categorising the reviews as positive or negative, assessed all 21 as positive for a
100 percent rating. Among the reviews, it determined an average rating of 8.50 out of 10.
The New York Times Devika Girish said the film "trembles with sound, color and feeling, deriving much of its power from an excellent ensemble cast".
Stuff reviewer James Croot praised the film for its "compelling narrative, evocative sense of space and place and terrific performances", awarding it four and half stars. He credited the main cast members with bringing the three protagonists Mata, Makareta and Missy to life, saying Rachel House, Tanea Heke and Ana Scotney particularly impressed " while bright futures await the likes of Mihi Te Rauhi Daniels, Keyahne Patrick Williams and Te Raukura Gray, based on this evidence". Croot praised the directors Ainsley Gardiner and Briar Grace-Smith for their immersive style of filming, which in his view brought the viewer into the world of the story. He also gave a favourable appraisal of Gardiner, Grace-Smith and casting director Tinary's decision to have three sets of actors playing the main protagonists at different stages of their life. For
Australian Book Review, critic Tahney Fosdike praised directorial interest in the intergenerational care of Indigenous women, compared to other trans-Tasman recent releases
High Ground (2021) and
Nightingale (2018) which gave more stage time to violent white antagonists straining First Nations family bonds.
Variety reviewer Alissa Simon praised Grace-Smith's screen-play as a faithful adaptation of her mother-in-law Patricia Grace's novel. She also gave a favourable appraisal of cinematographer Raymond Edwards's use of close-up photography for depicting the world of the Pairama clan. Simon also praised editor Angela Boyd's non-linear storytelling of the three main protagonists' lives over a period of fifty years from the late 1940s to the 1990s. Simon also credited composer Warren Maxwell's musical score and incorporation of Māori songs for immersing viewers in Māori. She also likened
Cousins to other films such as the Australian
Rabbit-Proof Fence and Swedish
Sámi Blood, which raised awareness of the hurt suffered by indigenous "
stolen generations", who were uprooted from their families. == References ==