MarketThe Times They Are a-Changin' (musical)
Company Profile

The Times They Are a-Changin' (musical)

The Times They Are a-Changin' was a 2006 dance musical featuring the songs of Bob Dylan, conceived, directed and choreographed by Twyla Tharp.

Background
In 2002, Twyla Tharp brought to Broadway a dance musical based on the songs of Billy Joel, ''Movin' Out'', which was a commercial success and ran for more than three years. The idea for a dance musical based on Dylan's work was initiated by the artist himself, who contacted Tharp suggesting the collaboration; however, Dylan had no creative input on the eventual production. Tharp spent a year on research for the production, as well as another year-and-a-half on casting, rehearsing and workshopping. The show was described in its Broadway Playbill as "A tale of fathers and sons, of men and women, of leaders and followers, of immobility and change," which "uses prophecy, parable, metaphor, accusation and confession—like the Dylan songs which comprise it—to confront us with images and ideas of who we are, and who it is possible to be.” ==Production history==
Production history
The show debuted at the Old Globe Theatre in San Diego, California on February 9, 2006 running through March 2006. The show premiered on Broadway at the Brooks Atkinson Theatre on October 26, 2006. Sets and costumes were by Santo Loquasto, and lighting by Donald Holder. The cast featured John Selya, Michael Arden, Neil Haskell, Thom Sesma, and Lisa Brescia. == Original cast ==
Original cast
2006 Broadway productionCoyote - Michael ArdenCaptain Ahrab - Thom Sesma • Cleo - Lisa BresciaEnsemble - Lisa Gajda, Neil Haskell, Jason McDole, Charlie Neshyba-Hodges, Jonathan Nosan, John Selya, Ron Todorowski == Production team ==
Production team
2006 Broadway production • Twyla Tharp - Conceiver, Director, ChoreographerSanto Loquasto - Scenic and costume designDonald Holder - Lighting designPeter Hylenski - Sound design • Michael Dansicker and Bob Dylan - Orchestrations • Henry Aronson - Music director == Musical numbers ==
Reception
The show received uniformly negative reviews on Broadway, criticizing it generally for its "addled," "inscrutable," yet also "wearyingly familiar" setting and plot; its circus-inspired staging; and its "prosaic," "literal-minded" David Rooney of Variety wrote that "Tharp [...] has no idea how to make the songs dynamic, either planting the singers in declamatory deadlock or having them stride about aimlessly while assorted clowns skip, tumble, flip and bounce on the trampoline surfaces of Santo Loquasto's junkyard set," so that "even when the songs do summon some emotional intensity, all the awkward, hokey buffoonery going on in the background (in unfortunate Leigh Bowery-esque costumes and makeup) smothers it." He also criticized the show's "[h]o-hum," "generic father-son plot." Scott Brown of Entertainment Weekly called the production "utterly wrongheaded," with Tharp demonstrating that "she clearly has no choreographic bond with [Dylan's] music"; Terry Teachout of The Wall Street Journal called the show "so bad that it makes you forget how good the songs are," with "prettified singing" that was "all wrong," and wrote that "if you went to see this show knowing nothing about [Tharp], you'd go home assuming that she was a pretentious buffoon." == See also ==
tickerdossier.comtickerdossier.substack.com