In an article for the journal
e-Rea, author Dennis Tready writes that the film "would have to be considered a landmark teleplay adaptation.
Dan Curtis had long been intrigued by
James’s short story,
Archibald’s stage play and especially
Clayton’s film, to such a point that he admits that
The Turn of the Screw had a major influence on many episodes of his famous suspense series
Dark Shadows." M. Grant Kellermeyer of oldstyletales.com named it the seventh-best adaptation of the novella, writing that the adaptation "positively drips with the pleasantly campy atmosphere that made
Dark Shadows a
Gothic icon. [...] Cold, stark, and soapy, this is by no means a high-production masterpiece, but is in many ways among the creepiest adaptations I've seen." Reviewer Jane Nightshade of horrornews.net called it "a surprisingly good made-for-TV movie" and wrote that "there are flickering candles, over-sized shadows, odd camera angles, secret casks of letters, and portentous musical cues galore. It can all get a bit tedious, but Curtis knows his horror, and inserts a good chill just when the numerous shots of
Redgrave wandering in the darkness with a candle start to drag. Full marks to the child actors,
Griffith as Flora and Jacob as Miles, with Jacob offering a somewhat different take on Miles (who's been upgraded in the script to teenage status): more sexually knowledgeable, more obnoxious, and more sinister." ==See also==