Box office The film opened to third place at the
box office—behind
Harry Potter and the Half-Blood Prince (in its second weekend) and the newly released
G-Force—with $27,605,576 and the highest per-screen average in the top 10. As of July 2, 2018, the film has grossed $88.9 million at the North American domestic box office and $116.3 million internationally for a worldwide total of $205.2 million, becoming
Katherine Heigl's second-best grossing film behind
Knocked Up. In Great Britain and Ireland, the film topped the box office and took in £1.9 million in its opening weekend, fighting off competition from
G.I. Joe: The Rise of Cobra, which entered at number two with £1.7 million.
Critical reception The review-aggregation website
Rotten Tomatoes gives
The Ugly Truth a score of 14% based on 174 reviews, and a weighted average of 3.80/10. The website's consensus reads, "Despite the best efforts of Heigl and Butler,
The Ugly Truth suffers from a weak script that relies on romantic comedy formula, with little charm or comedic payoff." Moviegoers, unlike many critics, thought much higher of the film. Audiences polled by
CinemaScore gave the film an average grade of "A−" on an A+ to F scale.
Rolling Stone critic
Peter Travers gave the film a half star out of four, stating: "There's not a genuine laugh in it [...] Toss this ugly-ass crap to the curb, along with the other multiplex garbage, and see a romance that gets it right. I'm talking
(500) Days of Summer."
Time named it one of the top 10 worst
chick flicks.
The A.V. Club gave the film a D.
Roger Ebert of the
Chicago Sun-Times gave the film two out of four stars, saying that Heigl and Butler were "pleasant" but "the movie does them in." He commented on the restaurant scene that also was a
red-band clip on
YouTube, saying that "Heigl makes a real effort" but that
Meg Ryan's scene in
When Harry Met Sally... (1989) was the gold standard "in this rare but never boring category". As for portraying the morning news realistically, he says "the film makes
Anchorman: The Legend of Ron Burgundy look like a documentary". Ruth McCann of
The Washington Post called the film "indulgently glossy, refreshingly snarky and legitimately sexy". Kara Nesvig of the
Star Tribune said "the dialogue is snappy and sexy, Heigl and Butler spar with zingy chemistry, and though the ending is as predictable as you'd assume, it's a sexy sort of popcorn flick". Nesvig praises Heigl saying the film "adds up to more than the sum of its clichés". == Home media ==