When he assumed command in 1990,
LTC Frank G. Dubuy wanted artistic documentation on a unique CD of the entire musical unit in terms of the two concertizing ensembles. One of the elements Dubuy saw lacking with the
U.S.M.A. Concert Band and
Jazz Knights is the fact there was no good recording of the recent U.S.M.A. groups (early 1990s). Dubuy met with the command staff about music to be recorded and picked the best possible works reflecting the present state of the groups and history embedded into the West Point Band music library and lineage.
The Concert Band recorded the opening and third movements of the
Nelhýbel Concerto for Winds and Percussion as an important tribute to, and documentation of
Václav Nelhýbel's close association to the West Point Band. Nelhýbel as well as
Robert Russell Bennett,
Morton Gould,
Darius Milhaud,
Percy Grainger, Henry Brandt and several other important wind band composers have written for the
West Point Band over the last 150 years. The two
Sousa works contrast the famous march style of the composer (
Fairest of the Fair) against his programmatic music (
Beneath the Southern Cross). The set of concert band recordings is rounded out with the
Haydn Concerto for Oboe (Allegro Spiritoso) and the Peter Buys work
Huntingdon Municipal Band March. The entire set of eight charts the
Jazz Knights recorded for these sessions were written and arranged by the three staff writers for the ensemble: Jim Perry,
Jack Cooper and Paul Murtha (with an original tune by the guitarist Rob Helsel). ==Track listing==