The Witches (Hans Baldung)

This print was created in the city of Strasbourg, where Hans Baldung was working. This is the first print made by Baldung after becoming a master craftsman and leaving Dürer's workshop, as well as the first to feature his initials. Baldung and his mentor Albrecht Dürer created several images throughout their careers that dealt with this theme of witches. Notable works include Dürer's The Four Witches (1497) and Witch Riding Backwards On A Goat (1500), as well as Baldung's ''New Year's Greeting with Three Witches (1514) and The Bewitched Groom (1544). It is unknown if the 1506 drawing Hexensabbat'' by Albrecht Altdorfer influenced Baldung's print. File:The Witches' Sabbath MET MM16375.jpg|The gray-toned print. File:The Witches' Sabbath MET DP826749.jpg|The orange-toned print. File:Witches' Sabbath MET DP826629.jpg|The key image without a color block. == Subject matter ==

Witches' Sabbath A Witches' Sabbath (also called Witches' Sabbat) was an event where witches would assemble to worship the devil. This image is an inversion of the Christian Mass. Rather than receive the body and blood of Christ, participants instead offered up human flesh to Satan. At the time of the image's creation in 1510, the Sabbath was largely considered a fictional idea and not widely considered to be a legitimate threat. Although the Sabbath was first mentioned in the Malleus Maleficarum and would later become an essential component of many witch trials, in Strasbourg at this time the legitimacy of the Sabbath's existence was in dispute. Witches' flight In this image by Baldung, the witches are using an unguent contained in a jar that will be used for flight. Early witch hunters did not believe it possible for witches to fly or levitate. The idea of witches' flight, sometimes referred to as "transvection," was officially denounced by the Canon Episcopi, a resource for canon law in the medieval ages that explicitly stated how Satan and witchcraft functioned. Witches' flight was also dismissed as fantasy by Alphonso de Spina in Fortalicium Fidei, Gianfrancesco Ponzinibio in Tractatus de Lamiis, Jean Bodin in De la demonomanie de les sorciers, and in the speeches of preacher Johann Geiler von Kaisersberg. Although originally considered an impossibility, witches' flight was essential to making the Witches' Sabbath and the subsequent witch hunts possible. Sabbaths were generally thought to take place far away from where witches lived. Therefore, in order to attend a Sabbath, witches needed to be able to cross large distances in a short amount of time. Witch hunters needed a way to circumvent the Cannon Episcopi and popularize the idea of witches' flight as feasible in order to better prosecute and convict people of being witches. The Malleus Maleficarum provided biblical evidence for flight as a power of Satan, citing Matthew 4:8 where Satan lifts Jesus onto a mountain top to tempt him into submitting to the devil. The Malleus also mentions how in Daniel 14:33-36, an angel flew Habakkuk to Babylon from Judea in only a few minutes, carrying the prophet by his hair. The devil, as a fallen angel, would still have the ability to fly. Therefore, flight was a power witches would be able to use due to their connection with the devil. Witches' flight was later used in witch trials, specifically to discredit the husband's testimony. The husband could testify that he had spent the entire night in bed at his wife's side, but witches' flight made it possible for the supposed witch to leave while the husband shut his eyes, fly away to attend the sabbath, and then come back before the husband awoke. == Description of imagery ==

Maleficia and the Malleus Maleficarum Maleficia were unexplained events that were attributed to witchcraft. According to Jane Schuyler, Baldung's image suggests two instances of maleficia: the bones suggest a murder and the insects and toads in the jar vapors suggest a biblical plague. The Malleus Maleficarum states that witches are able to create storms and plagues with the help of Satan, citing the punishments inflicted on Job and the Pharaoh's magicians in the time of Moses who were able to recreate three of God's plagues. The witches in this image are designed to mock the Christian Mass and the Eucharist. The witch sitting on the left side of the image holds a chalice in her hand. In a Catholic Mass, this chalice would be filled with sacramental wine which was then transformed into the Blood of Christ. The middle witch holds aloft the paten, a plate which would hold the sacramental bread. This bread would be converted to the Body of Christ during the miracle of transubstantiation. The plate instead holds two chickens. The witch in the middle also holds a dirty cloth above her head, referencing both the corporal and altar cloth a priest would use to display the monstrance. On the upper-left of the image, to the left of the witch flying on a goat, there is a figure obscured by the vapors coming out of the unguent jar. It's not possible to determine the identity or sex of this individual as only their legs and feet can be seen sticking out of the vapors. There is a bishop's hat on the ground, suggesting that it may belong to the obscured figure. If true, then this bishop would be the only male in this image, excluding the animals. Various bones surround the witches, including a human skull and a horse's skull. The bones suggest cannibalism and infanticide, both referenced in Question XI of the first part of the Malleus Maleficarum. In it, the supposed witch confesses that witches kill infants in a way that suggests overlaying or natural causes. Afterwards the infant's bodies are dug up so that they can be boiled in a cauldron. A partially hidden cauldron can be seen behind the middle witch. The accused witch also mentioned that the boiled solids can be made into an unguent that assists in pleasure and transportation specifically. Lust Witchcraft was believed to specifically come from carnal lust. The Malleus maleficarum specifies that in women this carnal lust is "insatiable." The Malleus Maleficarum also connects the lust of these witches to Eve, saying that Eve seduced Adam in the creation of original sin. Two of the witches sitting on the ground have their legs spread out, and the witch riding a goat poses in such a way that the pitchfork emerges from between her legs, suggesting a phallus. The unrestrained, flowing hair of the witches is also a sex symbol. According to the Malleus Maleficarum, loose hair would draw the devil's fascination and distract men during worship. Long hair could also hide witch's marks or charms, to this end inquisitors would often order that a suspected witch's body be shaved of all hair preceding a trial. Church inquisitors recognized the goat as a form the devil may take, so it's possible that the goat in this image may be the devil in animal form. The flying witch's backward posture on indicates she is not in control of the goat, or where he is going. However, Jane Schuyler believes the multiple goats and a cat suggest that the goat is not a devil, but instead that these are animal familiars. The cat is on the right by the base of the tree, and has its back turned to the viewer. The second goat, to the center-left behind the seated witches, bleats and uses one leg to grab a pitchfork holding sausages and a cooking pot. == Conflicting interpretations ==

Scholars are in dispute on whether these witches are meant to be interpreted as humorous exaggeration of witch hunters' beliefs or a startling depiction meant to frighten Baldung's audience. Art historian Jane Schyler asserts that The Witches illustrates the beliefs of church inquisitors, and that its imagery is directly informed by the writings of the Malleus Maleficarum. Sullivan points out that in early 1500s Germany witch trials and executions were actually relatively uncommon. Baldung and Dürer were both involved in humanist circles in Strasbourg, and humanists mostly considered witchcraft as "'lusting,' a matter that was more amusing than serious." Baldung being a humanist, the witches' appearance could be a reference to classical mythology. It's plausible that Baldung was inspired to create this by the publication of Lucan's De Bello Civili in Strasbourg the year before, which features the witch Erichtho. The witches' nakedness also served as an artistic opportunity for Baldung to show his prowess in anatomy by depicting a female nude. == References ==