Ratings Overnight figures showed that the first episode was watched by 13.5% of the UK viewing audience at the time, or 3.08 million, making it
BBC Two's most successful comedy debut since
Extras eight years previously. Consolidated audience was 4.5 million, or 16%. Series consolidated viewing average was 3.3 million viewers or 12%, while the Sunday 10pm repeat averaged 494,000/2%. In the US, Hulu initially launched the series by making either the first two episodes available to regular subscribers with one episode subsequently released each week, or all six immediately available to Hulu Plus subscribers. CEO Mike Hopkins confirmed that each episode ranked among the ten most-watched on the online service upon weekly release.
Critical response Initial UK reviews for the series were generally positive. It was ranked No. 5 in
Radio Times' annual critics' Top 40 TV series for 2013 and the first episode was an
iTunes UK Editor's Choice as the same year's Best TV Episode. On making its Hulu debut, the show received an aggregate score of 80/100 from
Metacritic based on seven major reviews, placing it in the top ten highest-rated series of the US fall season. Praise for the "darkly comic caper", as Keith Watson described it for
Metro, centred around both the moody, heavily stylised visual feel of the overall production and the contrasting comic chemistry between its two leads. "The mismatched buddy dynamic between the pair – nerdy, neurotic everyman and chubby gung-ho sidekick – was reminiscent of the
Simon Pegg/
Nick Frost Britcoms or a
Coen Brothers flick," wrote Michael Hogan in
The Daily Telegraph. Ellen Jones from
The Independent said: "Thanks to slick direction and, one suspects, a large chunk of the BBC's autumn budget, it certainly looks as good as a Hollywood thriller." Veteran TV writer
Clive James of
The Daily Telegraph said
The Wrong Mans is "highly recognisable, as if it had been designed to fulfill all the requirements of British screen comedy... Remember
Morecambe and Wise on the Riviera? This is the same thing, but better done. Having watched one episode, I vowed to watch another: instead of, as I usually do when a British comedy series is concerned, vowing to emigrate back to Australia." Writing for the entertainment website HitFix, American veteran reviewer
Alan Sepinwall noted that "I expected to be tired of the joke behind "The Wrong Mans" within an episode or two. Instead, I found myself engrossed enough in the story of who wanted Sam dead at any particular moment, and why, to keep watching until I made it all the way to the end and could appreciate just how well Baynton, Corden and company stuck the landing." Several reviewers nevertheless felt the show's attempt to seamlessly mesh the comedy and thriller genres wasn't entirely successful, including
Rachel Cooke in the
New Statesman, who wrote that "I didn’t hate it... but all the same, I’m not sure that it quite works. Thirty minutes seems too short a time to accommodate both the tropes of a thriller and a tonne of jokes. I think they should have given themselves an hour, the better that the audience might get its ear in". Sam Wollaston in
The Guardian wrote that he was "not convinced" by the series' tone, "nor that performers (mainly) necessarily make the best writers. Oh, and what's with that title? There's something wrong with it, isn't there? Grammatically?"
Awards and nominations ==Home media==